Ayelet Zurer Quotes
Quotes to Explore
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In life, so many things are taken for granted, but one thing I can honestly say is that I took every day, enjoyed the game of putting on that uniform and playing the great game of baseball.
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I had the good fortune of having a happy, closely knit family.
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I am part of a team organising an Emma Hamilton exhibition for the National Maritime Museum for 2016, and the amount of planning is a revelation - borrowing from museums and collections all over the world.
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Concepts of justice must have hands and feet to carry out justice in every case in the shortest possible time and the lowest possible cost. This is the challenge to every lawyer and judge in America.
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Now, I was on drugs, and that didn't help a whole lot. He hated that. That was part of where Chet and I had problems, so I take complete blame for that.
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Each time I make a movie, it's like a paid scholarship to a different university course.
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But I would say maybe just from an actress's perspective, probably 'Woman Under the Influence' is the best movie of all time. The style of filmmaking and the performances... you don't feel like you're watching a film.
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What I love about the East End is that there's a great perseverance, determination and courage. What I dislike about it is that there is sometimes a celebration of ignorance.
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Cotton was a force of nature. There's a poetry to it, hoeing and growing cotton.
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I don't mind other guys seeing movies I want to see and then writing about them. That's fine, especially when it's the New Yorker's Anthony Lane, because he knows this stuff pretty well.
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I started my own magazine with drawings, commentary, news, film reviews and drawings.
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I like the ideology of there being no such thing as perfection. But I'm of the opinion that I have witnessed perfection at various times, especially in art.
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The trouble with music appreciation in general is that people are taught to have too much respect for music they should be taught to love it instead.
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I think the whole concept that women aren't funny is dead. It's over; it's done.
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I lost the good stuff on my fastball. I had to come up with something to keep me in the league. The knuckler rescued me then.
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The fact that I've achieved this so soon is just a bonus, I guess. Everything from now on is a bonus for me.
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I got obsessed with classical music, I got obsessed with Chopin, with playing the piano.
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A couple of games, I played up front when Diego Costa was not there. We know to create movement - not even to get the ball, but create space for others. Now I understand football is not always with the ball at my feet.
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These are the moments when the powerful mind or the forceful character feels the ferment of the times, when his thoughts quicken, and when he can inject into the uncertainties of others the creative ideas which will strengthen them with purpose. At such a moment the man who can direct others, in thought or in action, can remake the world.
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You have to get comfortable with your work, you really have to know what you're doing, and it has to be almost boring to you to be able to do it well.
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There's never been a great fight without the writers taking on and finding an identity for it. That's probably what has happened boxing. Writers are not writing about us big boys anymore and I tell you right, however you feel, take something, find it, and use it because American needs something to read about.
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A lot of the aspects of the world of the film are amalgams of things that already exist.
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In fact, in Europe, I'm more kind of this bloke what writes lots of stuff.
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TV is the place that writers want to be.
