David Lee Roth Quotes
Audience participation should extend from on-stage to backstage to under the stage...
Quotes to Explore
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I just enjoy being onstage and relating to the audience.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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Anyone who says they want to make a game that becomes a cult classic is kinda screwy, right? I mean, you want to reach the largest audience you can.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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I much prefer doing comedy. I get a little paranoid when the audience is not laughing.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
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We are looking for rebuilding Hungarian defence Industry with India's participation.
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I don't think about who the audience is for my books.
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I have to grow with my audience.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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You as an audience can look at these things as films, but I remember them as social experiences.
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I don't have a director. The audience directs me.
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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I don't perceive an audience at all when I write a book. It's pure self-indulgence.
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I continue to write songs that are topically related to social, political and economic issues of our time, but I also recognize that onstage, I have a lot of fun and audiences have a lot of fun, so I'm trying to package the messages in music and sounds that are fun to perform and fun to listen to.
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Forget the audience, make what you want to see
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I was never on the side of the teachers at school. Even though I put all the work into getting the main role in the end-of-year musical when I was 11, they didn't give it me, even though they knew I should have had it. That sort of drove me into am dram and getting the main part in another production. And I did.
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Audience participation should extend from on-stage to backstage to under the stage...
