Freddie Mercury Quotes
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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Basically hated everything made in the '80s, music television - it was really about the '90s for me. 'Encino Man' was a big hit. 'Robin Hood: Men in Tights.'
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I feel like my kind of music is a big pot of different spices. It's a soup with all kinds of ingredients in it.
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If you meet me, you might not get to know me. If you hear my music? You'll get to know me.
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If architecture is frozen music then music must be liquid architecture.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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Mix-tapes are something that have been going on for a while. They've been pretty important to hip-hop for the past 10 years. It's the way we advertise our music to the public for free.
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I've never left music behind, but I've had success in television.
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With the White Stripes we were trying to trick people into not realising we were playing the blues. We did not want to come off like white kids trying to play black music from 100 years ago so a great way to distract them was by dressing in red, white and black.
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We want people to listen to records, to a whole body of music. I want you to buy into my life, not just one subject in my life.
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I am so blessed that all I've done in my professional life, since I was 17-18, is play music and somehow make a dollar here and there.
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'I have found a paper of mine among some others in which I call architecture 'petrified music.' Really there is something in this; the tone of mind produced by architecture approaches the effect of music.'
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A lot of people think that the music was responsible for a lot of changes in the Sixties, but I think the music came out of it. The music wouldn't have happened without the social changes.
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For me there are two types of country: There's the shoot-yourself-in-the-head country, and then there's really good country music.
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My tastes went all over the place, from Strauss to Mahler. I was never a big Wagner or Tchaikovsky fan. Benjamin Britten, Tallis, all the early English Medieval music, Prokofiev, some Russian composers, mostly the people that were the colorists, the French.
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I grew up loving music and being super involved in church choir and school musicals and such, but when I started writing is when I fell in love with the idea of doing it for the rest of my life.
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I probably won't be able to hear it until five years from now anyway. That's when I always hear my own music. It takes five years to sit down with it after not hearing it for a couple of years.
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I wanted to follow the path of music and feel that power, and I couldn't turn back.
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Mangroves, salt marshes and sea grass lock away carbon at up to five times the rate of tropical forests.
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I had no idea 'Big Green Tractor' was going to be as big a hit as it was. You just can't predict those things.
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It is unfair to ask Turkey to make a unilateral concession to take goods from Cyprus within the customs union when the E.U. is not open to northern Cyprus.
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The cry of the soul is for freedom. It longs for liberty, from the date of its first conscious moments.
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Life is too short to listen to bad music.