Freddie Mercury Quotes
Quotes to Explore
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Basically hated everything made in the '80s, music television - it was really about the '90s for me. 'Encino Man' was a big hit. 'Robin Hood: Men in Tights.'
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If you meet me, you might not get to know me. If you hear my music? You'll get to know me.
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If architecture is frozen music then music must be liquid architecture.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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I've never left music behind, but I've had success in television.
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With the White Stripes we were trying to trick people into not realising we were playing the blues. We did not want to come off like white kids trying to play black music from 100 years ago so a great way to distract them was by dressing in red, white and black.
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We want people to listen to records, to a whole body of music. I want you to buy into my life, not just one subject in my life.
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I am so blessed that all I've done in my professional life, since I was 17-18, is play music and somehow make a dollar here and there.
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'I have found a paper of mine among some others in which I call architecture 'petrified music.' Really there is something in this; the tone of mind produced by architecture approaches the effect of music.'
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A lot of people think that the music was responsible for a lot of changes in the Sixties, but I think the music came out of it. The music wouldn't have happened without the social changes.
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For me there are two types of country: There's the shoot-yourself-in-the-head country, and then there's really good country music.
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I grew up loving music and being super involved in church choir and school musicals and such, but when I started writing is when I fell in love with the idea of doing it for the rest of my life.
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I probably won't be able to hear it until five years from now anyway. That's when I always hear my own music. It takes five years to sit down with it after not hearing it for a couple of years.
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Everything musically, for me, there's two kinds of music. There's Prince and Jimi Hendrix and then Miles Davis and everything filters through that.
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I taught guitar lessons for a long time for a living before I got on the road. I really enjoyed hanging out with kids, talking about music with them, and trying to influence them in a positive way.
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My music is about the journey, about love and the human experience.
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I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.
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I come as one package deal. An Irish lesbian who wakes up every day and goes to work. And I don't spend a lot of time thinking about being 'the first this' or 'the first that' because it would take up space in my brain.
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It may take a while, but I think 'On the Town' has the potential for us to break down the boundaries between the traditional theatergoer who may have fond memories of the musical and those with a 'Broadway-is-not-for-me' agenda.
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My only goal as a comedian was to stomp the life out of the model-minority myth.
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Life is too short to listen to bad music.
