Freddie Mercury Quotes
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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Basically hated everything made in the '80s, music television - it was really about the '90s for me. 'Encino Man' was a big hit. 'Robin Hood: Men in Tights.'
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I feel like my kind of music is a big pot of different spices. It's a soup with all kinds of ingredients in it.
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If you meet me, you might not get to know me. If you hear my music? You'll get to know me.
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If architecture is frozen music then music must be liquid architecture.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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Mix-tapes are something that have been going on for a while. They've been pretty important to hip-hop for the past 10 years. It's the way we advertise our music to the public for free.
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I'm really at ease in being me and going all around the world playing music. But I do get a lift once we start. I'm humming stuff in the dressing room and smiling, looking at myself and making sure I don't have nose hair! But once I get really close to the stage, and the guys are doing the intro thing, I do get a pick-me-up.
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I've never left music behind, but I've had success in television.
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To sing is to bring to life; impossible if the words are mediocre, however good the music.
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With the White Stripes we were trying to trick people into not realising we were playing the blues. We did not want to come off like white kids trying to play black music from 100 years ago so a great way to distract them was by dressing in red, white and black.
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We want people to listen to records, to a whole body of music. I want you to buy into my life, not just one subject in my life.
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I am so blessed that all I've done in my professional life, since I was 17-18, is play music and somehow make a dollar here and there.
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'I have found a paper of mine among some others in which I call architecture 'petrified music.' Really there is something in this; the tone of mind produced by architecture approaches the effect of music.'
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A lot of people think that the music was responsible for a lot of changes in the Sixties, but I think the music came out of it. The music wouldn't have happened without the social changes.
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For me there are two types of country: There's the shoot-yourself-in-the-head country, and then there's really good country music.
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Record companies don't think creatively about what something could possibly be because they are not filled with creative people. Nobody's looking at the future of music because they're concentrating so hard on what they can get from it right this second. It's really hard to see an artist; it's a lot easier to see money.
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I lived in New York until I was eleven years old, when my mother left my two older sisters and my father. My mother is 90 percent blind and deaf. She left and moved all the way to California. So I left my two older sisters and my father behind at the age of eleven and moved cross-country to take care of her.
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The vast literature concerning whistleblowers shows that, far from weird extremists, they are really quite ordinary people: male and female, young and old, junior and senior, no more nerdy or obsessive than most hard workers.
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What? Steven Spielberg is furious with me? I won't be able to star in any more Steven Spielberg movies? What will I do with my day? Suck my dick!!
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Growing up, my parents treated my brother and me with absolute equality.
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I've seen many of my contemporaries become superstars, and the way fame and fortune starts to really affect the way they treat other people, and I think it's ugly.
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Life is too short to listen to bad music.
