Gary Paulsen Quotes
I'm a teller of stories. I put bloody skins on my back and dance around the fire, and I say what the hunt was like. It's not erudite; it's not intellectual. I sail, run dogs, ride horses, play professional poker, and tell stories about the stuff I've been through. And I'm still a romantic; I still want Bambi to make it out of the fire.

Quotes to Explore
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I'm not on fire for the Lord, so I tried to make myself generate this fire for the Lord.
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I don't understand why every guy is not a romantic. I enjoy it.
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I am a member of the Kiowa Gourd Dance Society; I visit sacred places such as Devil's Tower and the Medicine Wheel. These places are important to me, because they've been made sacred by sacrifice, by the investment of blood and experience and story.
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And I think maybe all women, if they just had a chance, would be romantic and believe in love and not sex. And men believe in sex and not love.
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I fell through a stage once. I was doing a truly African dance, and all of a sudden, I hit the ground with my foot and went straight through the stage. I guess they didn't have much money, so the floor was kind of rotting.
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People assume that because I'm a great athlete, I can dance. But no. My rhythm is off a little bit.
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The hype man's job is to get everybody out of their seats and on the dance floor to have a good time.
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I think that kids need to grow up watching what I grew up watching - great entertainment; you know, Judy Garland and all these musicals that bring song and dance and acting all together in a polished way.
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I have a strong dance background. I danced from age five until 18, and that helps a lot. Doing a fight routine is like doing a dance routine.
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If you're looking to be loved for a part, it's great and enticing to be adorable in a romantic comedy. But then, as an actor, you get stuck.
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I just want to continue to pursue dancing. I want to focus on making it out there and showing everybody my heart and soul through dance... and do it until I can't walk anymore.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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I don't like the NFL, where I think it's a problem: some guy scores a touchdown, now he's got some kind of dance that he planned. To me, I just want to change the channel.
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I go with the flow. Whatever music you play for me, I'll dance.
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When I was a boy, my older brothers listened to Earth, Wind & Fire and Kool and the Gang. When I would try to get into their room, they would close the door and say, 'You can't hear that. It's not for a child!' Now, I can listen to it and enjoy it.
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I've never seen a single episode of 'So You Think You Can Dance.'
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I don't think women's prisons are environments for dance routines, and I don't think mass murder is humorous.
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A romantic date for me is sitting in pajamas and being with a guy with whom I can be myself.
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I want to inflict some change on people.
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Pop music was supposed to be a flash in the pan, but here we are 50 years later and it means something to us, and it always will do. It's incredibly important.
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You know those days when you think you have to have a plate of pasta right now? When I'm trying to be good, I take a minute to ask myself, 'Do you really need to eat all this crazy stuff? It will still be around if you want it later.'
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I'm a teller of stories. I put bloody skins on my back and dance around the fire, and I say what the hunt was like. It's not erudite; it's not intellectual. I sail, run dogs, ride horses, play professional poker, and tell stories about the stuff I've been through. And I'm still a romantic; I still want Bambi to make it out of the fire.