Stevie Wonder (Stevland Hardaway Morris) Quotes
Quotes to Explore
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I'm not keeping track, but the record is there for someone to break.
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Record-breaking is not getting boring. I am definitely happy with that.
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If we didn't get the record, we didn't exist.
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As long as it says Metallica on the record it's Metallica.
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'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies – they said they didn't get me, which is fine, I suppose.
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Amazon has historically been a bully, and I don't shop there. But I love Goodreads. For the record.
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I have a relatively good track record.
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In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
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Leaving Def Jam was kind of a blessing in disguise because we can make whatever record we want.
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If you're part of a record company, you're a manufactured product. It doesn't mean that you're not talented.
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I'm very conscious of people having pretty short attention spans: I know, I'm guilty of it. I'm 17 now: what happens by the time I'm 21, am I a burn-out or something? Will they still listen to my record?
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When you make a record, you listen to it literally hundreds of times. When it's done and you can't do anything else, I never listen to my records.
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Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.
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I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.
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I can't write another breakup record. That would be a real cliche.
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When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
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I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
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When I was 13, I told my dad I needed to record myself because I sounded awesome, even though I didn't. By 18, I was a lot better. Then I got a publishing deal, so I was writing songs for other people professionally.
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If I could make a record in two minutes and thirty seconds, I'd do it. I want the creativity, and I don't give a f - k about the snare sound.
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I still continue to do at least four concert tours a year, and in many cases, as many as six.
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We seldom speak of what we have but often of what we lack.
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Designers provide ways into—and out of—the flood of words by breaking up text into pieces and offering shortcuts and alternate routes through masses of information. lthough many books define the purpose of typography as enhancing the readability of the written word, one of design’s most humane functions is, in actuality, to help readers avoid reading.
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Just because a record has a groove don't make it in the groove.
