The Weeknd (Abel Makkonen Tesfaye) Quotes
Quotes to Explore
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Tori Amos had a major influence on how I craft words in a song.
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I close my eyes when I sing so I can feel the song better.
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I think I've written about family and things in 'Taipei' which could be considered Asian culture.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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Toil without song is like a weary journey without an end.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.
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When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
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If it weren't for the rocks in its bed, the stream would have no song.
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I made a decision when I started writing 'All is Song' to take the compliments I had for 'The Wilderness' and try to be confident and not overwhelmed by it.
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I don't like giving names to generations. It's like trying to read the song title on a record that's spinning.
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Layne is the most creative, witty and sharp-minded guy I've ever met. People should get to know Layne before they comment about him. Layne loves having fun and playing jokes - it was his idea to do 'The Nona Tapes'. He's certainly not the miserable guy he's painted to be.
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It's not the machine itself that does the trick. The machine merely acts as an intermediary between the sensitive and the spiritual force. It is an extension of the sensitive. It magnifies the capability of the sensitive and acts as a link of some sort. It enables the sensitive to perform his function.
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I remind audiences that I'm in the fortunate position to make a film about my family.
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I wanted to talk to very young kids about self-image and about being different and how that can be your strength, especially from the immigrant perspective.
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Infinite love is the only truth. Everything else is illusion.
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I wrote a song with Ed Sheeran that was kind of spontaneous.
