Yami Gautam Quotes
Quotes to Explore
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I loved every place I lived and traveled. London, Paris, Rome, Venice. I fell hard for Central America and Mexico. In each country, I had fantasies that I could live there.
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Funny is an attitude.
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Irrespective of any political party, I am a supporter of good people who want to do something for the society.
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I have to be on such a strict diet constantly.
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I really want to have actors contribute their own ideas, with phrasings and ideas on all levels.
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There's no doubt in the world that directing makes you a better actor. Me, anyway. There's no doubt in the world that it makes me a more collaborative actor.
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Israel can't be the only country in the Western world not to have freedom of religion.
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Virtue knows that it is impossible to get on without compromise, and tunes herself, as it were, a trifle sharp to allow for an inevitable fall in playing.
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I would definitely like to start a family because it's the most important thing in the world and what you should take care of, along with your friends and the people you love.
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I am not a great fan of computers. I do watch videos and analyse which batsman is playing how. Batsmen can play different shots on different days. A batsman may not play cover drives well, but if he connects with two such shots, he starts playing the drive well on that day.
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When talking about writing, I often use the analogy of archaeology. There are these great tunes all around. Your skill as a musician allows you to pick them out without breaking them.
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It's all part of my journey - I've done a lot of stupid things, but you learn by your mistakes.
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Men of New England, I hold you to the doctrines of liberty which ye inherit from your Puritan forefathers.
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In my early 20s, I didn't even know what the Groundlings was. I had no idea. But I know how to break down a script and work on the character.
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I believe there is a direct correlation between love and laughter.
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I like to get up around 5:30 or six - that's my favorite time of day. My family is still asleep, and the office is still closed, so I can start my day slowly.
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It's different for every project. Some parts are quicker than others to get and know; sometimes right up until the last moment you're just praying that something will click. But you can only do a certain amount of work and then at some point you've got to think: 'OK, I'm just going to have to leap now.'
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I choose parts because I don't want to be embarrassed when the movie comes out. What if my friends were to see the movie? What if my niece or nephew wandered into the theater and saw the movie? I don't want to be too ashamed of it.
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I think it's a change that I did not intend at the time but it is clear that, from The Flower of My Secret on, there is a change in my films. A lot of the journalists have very generously attributed this to my growing maturity.
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In my situation, every time I write a sentence, I'm thinking not only of the people I ended up in college with but my siblings, my family, my school friends, the people from my neighborhood. I've come to realize that this is an advantage, really: it keeps you on your toes.
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I guess it's hard work... whatever the decision is, how to show it to people that aren't necessarily dancers, how to get people to think about more than themselves.
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I tend to approach characters not based on ethnicity but on some unique individual qualities, and I've set my whole life that way. I don't want any sort of limitations imposed on my work. If you truly want to be a creative person, you can't limit yourself.
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What portion in the world can the artist have, Who has awakened from the common dream, But dissipation and despair?
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It's a pure dream team to work with Hrithik, Sanjay sir and Rakesh sir.
