Mark Foster Quotes
Quotes to Explore
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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I haven't gotten a lot of feedback about, 'Oh, you helped me in this way.' But on social media, people are like, 'Thank you for your positive posts,' or 'It's fun to see you grow and your character. I feel like I'm growing with you.'
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My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction.
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The four cornerstones of character on which the structure of this nation was built are: Initiative, Imagination, Individuality and Independence.
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But in action, one defies one's character.
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I did accents and funny voices for the family when I was growing up.
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If I don't love my character, I can't do it.
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My books are character-driven. They're not driven by the story.
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You try not to become so emotionally attached to your character, but you do.
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Everything has to evolve. Music has to go somewhere. That's what keeps it fresh.
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Character is always known. Thefts never enrich; alms never impoverish; murder will speak out of stone walls.
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I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.
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I sort of fall in love with every character I do; you have to understand how they became what they've become, whether they're the ugly kind or the very beautiful kinds of characters.
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I always say the classier cousin of 'Anchorman' is 'Mad Men,' because when you really look at it, why do people really love Don Draper in 'Mad Men?' He's just a terrible guy. But we know why he's terrible, and I think that's really key to why you can be sympathetic to a character.
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From the very beginning, I envisioned success as selling enough books so I could keep getting published and continue to write what I wanted to without compromising.
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Science, almost from its beginnings, has been truly international in character. National prejudices disappear completely in the scientist's search for truth.
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One is made by all the things around one. There are many things that have made one. For a writer to go around looking for things that have made him is asking for trouble. It's like giving a character to yourself. Can't do it. Can't do it. These things are just there. Is that enough?
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Whether you need to like a character, I don't think that's necessary in order to portray him.
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It's kind of exhilarating, walking through a crazy, insane mob. The most miraculous process is watching a song go from a tiny idea in the middle of the night to something that 55,000 people are singing back to you.
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The Beat Generation - that term is even more familiar now, even more than say the '70s. Hype is built and established and people link it back to a certain generation, in this case the '40s and '50s. Now everyone knows that that group was the Beat Generation.
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I have a cycle that is not particularly cool, but it's a cycle: trash myself to reward myself.
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Technology should be an important ingredient. It may be and should be a tool for social development.
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The playing adult steps sideward into another reality; the playing child advances forward to new stages of mastery.
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I write in character a lot.
