Jason Mraz Quotes
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
Quotes to Explore
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The future is much like the present, only longer.
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Alienation as our present destiny is achieved only by outrageous violence perpetrated by human beings on human beings.
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Minimalism now is a reaction to what came before. It's absolutely of its time. Music moved into the set theory thing, and moved out of it.
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One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.
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I take my kids to school... I make them breakfast. Unfortunately, dad is a big spoiler, and most days, I make four different breakfasts.
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Most faults are not in our Constitution, but in ourselves.
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We are saved by grace, not by the works of the law. But don't be so quick to write the law off.
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I learned that when you stand up for what you believe in, you'll get a lot of support. But there are always going to be negative things said about you.
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I want to be promoted in the urban areas. A lot of African-American people should know more about me.
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I'm an Indian-origin painter. I will remain so to my last breath.
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I'm not into solos, I'm into lyrics.
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I've been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too - what I should wear.
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'Dhruva' will have them glued to their seats throughout, and I'm sure of that.
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There is a communion of more than our bodies when bread is broken and wine drunk.
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I am what they call a chubby-skinny guy. I appear to be normal and have the look of an in-shape man, but if we were to go to a pool party I would go with my shirt on.
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Watching 'Girls' has just given me renewed courage.
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You start thinking about a character in a new book, of course you're going to think pretty soon, 'Well, what's their secret? What is their problem?' Maybe, 'What is their secret?' is another way of saying, 'What is their problem?' There's got to be some issue, or you've got a totally boring book!
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I am not from a film family or a Mumbai girl. The probability of getting a second chance is low, and so one has to be more careful.
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A locked-room problem lies at the heart of my new novel, 'In The Morning I'll Be Gone,' in which an RUC detective has to find out whether a publican's daughter who fell off a table in a bar that was locked from the inside was in fact murdered.
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It is people who are the objects of globalization and at the same time its subjects. What also follows logically from this is that globalization is not a law of nature, but rather a process set in train by people.
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A lot of times you have to dip into the independent world to find the really great projects and the really great scripts. They're out there - you just have to search hard.
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I'm obsessive when I get an idea in my head.
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I have never witnessed, nor will I live long enough to witness, a more simplistic crime than me stealing your identity.
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I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
