Keren Woodward Quotes
Quotes to Explore
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I'm so intrigued by women throughout history where the significance of what they were representing at that time is obscured by the fact a man saved them or they were prostitutes.
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What goes for sex goes double for politics.
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I've been described as a smart actor because I've attended college. Or I've been called an artsy jock. And I am thinking, 'So, are actors supposed to be dumb?'
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It's very important to give back to the community and do anything you can.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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What inspired me to become an author? I think it was the snow in New York. I looked out the window and I said, 'Well, I have to get dressed every morning to go to teach, but if I write a book, I can stay home in my bathrobe, eat candy corn.'
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A man will turn over half a library to make one book.
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Just as we might take Darwin as an example of the normal extraverted thinking type, the normal introverted thinking type could be represented by Kant. The one speaks with facts, the other relies on the subjective factor. Darwin ranges over the wide field of objective reality, Kant restricts himself to a critique of knowledge.
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I don't really have a main source for my style inspiration. It's really about however I feel about myself at the moment.
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Raised by an irresponsible mother during the Great Depression in the Jim Crow south, my father was on his own from the age of 13.
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I have a carbohydrate and protein-rich diet. For breakfast, I typically have two slices of bread with butter or jam, four to five eggs - boiled or fried - a few bananas and a glass of milk.
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Because of the way my words get scrutinized, I have to use a level of precision so people don't accuse me of misleading them.
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I made a commitment... both to myself and to some supporters to carefully consider a run for the Liberal leadership for the Liberal Party of Canada.
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I started painting graffiti in the classic New York style of big letters and characters but I was never very good at it.
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In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.
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I never left a team in worse shape than I got it. Not once.
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It's a very fascinating thing for an actor to play somebody who is suffering, and you have to express the suffering, but in an inarticulate way and sometimes a dysfunctional way, through violence.
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I like chords that are very lush with all the lush parts taken out.
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I'd like to think I'm not quite so pretentious as to think my characters go off and live their lives once I've written the final page and switched the computer off.
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There is a degree of role-playing in modeling, for sure, and you're also in a high-profile job - there are lots of similarities for sure. But when I'm acting, I've got to try and be present, and I've got to be emotionally committed to a character, both physically and intellectually.
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Character deaths in and of itself should never be done for shock.
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I just want people to take a step back, take a deep breath and actually look at something with a different perspective. But most people will never do that.
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I always think the most important thing for a writer is a deadline, and it's the same with a house. They say you shouldn't make an emotional decision with a house, but I think it is the only decision you can make.
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We didn't want to be famous. We just loved the music and excitement.
