Elle King (Tanner Elle Schneider) Quotes
I started playing in New York when I was 16. I had a fake ID so I could play shows, and, I don't know, bouncers didn't really say no to me, I guess. I'm fun!
Quotes to Explore
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People want to see a movie that casts a mature woman across from a mature man.
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My government has the challenge of addressing the issue of gas. The issue of gas cannot be addressed today without the participation of all Bolivians alike.
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I think that in Mexico, we must change some practices that were built during the 72 years of predominance in Mexico. Former presidents would just hide away, run away or disappear. And I think it's key in a democracy that presidents face people, see eye to eye to citizens and work to keep on contributing to the - to Mexico.
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My friends in the TV news business are in a state of despair about Donald Trump, even as their bosses in the boardroom are giddy over what he's doing for their once sagging ratings.
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Grow we must, if we outgrow all that loves us.
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Humor is a wonderful way to deal with our suffering because if we can laugh at our troubles, we can feel better. Thich Nhat Hanh is a special man who has helped millions with their suffering with incredible technique. But he doesn't know real suffering, because he has not dated as much as I have.
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My opinion, having done this now for two cycles, is I think the national media really likes me and likes what I have to say. But, at the end of the day, 'He's a Libertarian,' and that denotes some loose screws, maybe.
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I love '30 Rock.' It's one of my favorite shows. It's certainly the gold standard of comedy writing.
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If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.
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I don't think being a writer who is religious means you have to write about nothing but religion. When I do write about religion, it's to inform the story, not to push a certain agenda.
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I am highly offended by the total lack of acknowledgement of my contribution to Laker success.
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Genius always finds itself a century too early.
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I hate mules. I hate the noise when someone walks with mules. Clomp, clomp, clomp. I think it's very not chic. I don't even like a flip-flop. I don't like this noise.
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I need to have something else going on. I'm able to write a lot if I have an episode of 'Friday Night Lights' going on my computer.
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Forty percent of my portfolio is in the U.S. In the rest of the world, most of the places I invest in or invested in are Brazil, Russia, Germany with a little bit of Turkey, China, India, France and Israel sprinkled in there.
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Death is a very dull, dreary affair, and my advice to you is to have nothing whatsoever to do with it.
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My films are personal-voice-driven films about human characters and the place we live. Technically, I'm an independent filmmaker.
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Upon the death of my father, our family and myself were emotionally and financially exhausted.
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People want to get to know you. I don't think America got a chance to know me in that short time.
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America used to be proud of abstraction, and we have fallen away from it. The future depends on people trying to promote that abstract thinking. Not just in relation to music and jazz and the arts, but the economy, social strife, tension between people.
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The most common mistakes women make when applying makeup are not applying it in the proper light and not using their hands as blending tools.
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So, I get a kick out of working with the media.
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I enjoy changing; I think it's more fun to try something different than to just do what you did last time. As an artist, you just want to keep creating, keep finding a place that really inspires you that feels fresh and new, and keep it exciting.
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I started playing in New York when I was 16. I had a fake ID so I could play shows, and, I don't know, bouncers didn't really say no to me, I guess. I'm fun!
