CeeLo Green (Thomas DeCarlo Callaway) Quotes
Quotes to Explore
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I tell people in Chicago to take care of themselves.
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The reason I did the book about holidays is that you're a different person on holiday. You're sleeping somewhere unfamiliar, knocking about with people you've never met and for 10 days you're someone else. You're out of your comfortable zone.
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I'm such a happy, easygoing person.
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I got into the race and people literally laughed. They thought I had no chance of winning.
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One of the things I did when I was in New York, which has a wonderful deaf community, is I have worked on making Broadway more accessible to deaf people.
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I know what I look like - a weird, sad clown puppet. I'm fine with that.
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Being the vice-captain, you see a lot of things on the field. You have to try and help the captain as much as you can and lead by example on the field. Small things like getting a run-out or taking a catch makes the other boys try and lift their standards. So yes, I do have an important role, even if I'm not captain.
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Humility is the gateway into the grace and the favor of God.
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Whatever we do from government, we need to do what's best for America. If we do that, that's bringing power back to the people.
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I hope that people will see that we don't have to sit by the sidelines and watch as the two major parties limit their choices to slightly different flavors of the status quo. It is, in fact, possible to join the fray, stand up for principles and offer a real alternative.
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Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
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I work out every day - and my daily routine is a mix of functional and strength training.
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If you look at a lot of the songs I've been involved in, there's always been this retro vibe. I started getting worried that I wasn't moving forward very much, nor was I even in tune with the music today. I almost scoffed at it.
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When I got into college, I found what ultimately became my life's work. I couldn't sleep at night, I was so excited about it. So I'm attracted to people who play at that level. They actually want to play in their professional life.
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I always draw from things around me that people around me have gone through... The story that could be taken really literally is not from my life exactly. But bits and pieces are, and the sentiment behind it is.
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Everyone dreams of living in Paris.
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I talk about Beyonce too much. I am a diehard.
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I'm sure that people who elected me, some of them thought I was gay, some of them thought I wasn't gay, and most of them didn't care.
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My interest as an artist is to illuminate the lives of black folks. I definitely am focused on films that illustrate all that we are and all our nuance and all our complicated beauty and mess, and when you're telling those stories, you gotta have black actors.
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When we see the shadow on our images, are we seeing the time 11 minutes ago on Mars? Or are we seeing the time on Mars as observed from Earth now? It's like time travel problems in science fiction. When is now; when was then?
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It's been so long since I've really truly felt what it's like to live life without substances to help. Massive struggle that's natural to one's health, but with addiction in my blood I play the cards I was dealt.
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[Making meth] is a complex process. The truth of it is that we live in a post-Google world where you can find six recipes for meth in 30 seconds on a search engine.
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I always say: 'Share your happiness with the world, give other people that happiness and let it come back,' but some things make me question it. I don't know if I want some people to know that I am happy. I think a lot of people want to take it away from you, and that's really scary.
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Like most artists, I live out of a suitcase.
