Jeff Bezos Quotes
When you receive criticism from well-meaning people, it pays to ask, ‘Are they right?’ And if they are, you need to adapt what they’re doing. If they’re not right, if you really have conviction that they’re not right, you need to have that long-term willingness to be misunderstood. It’s a key part of invention.

Quotes to Explore
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Honest criticism, I suppose, has its place. But honest writing is infinitely more valuable.
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On one side, citizens have great respect for the United States; they have a great feeling of friendship. That is solid. But in the opposition and in the political arena I often find criticism of the closeness of relations with the United States. That is a reality.
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But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
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Criticism is prejudice made plausible.
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Perhaps there is no greater evidence that the teachers' union has swung too far out of the mainstream that they both have been a target of near-constant criticism from Secretary of Education Arne Duncan.
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Criticism is valuable... and self-congratulatory experiences are not.
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As far as criticism, I don't mind critics. I mean, I wrote for 'Rolling Stone' for a hot minute. I like criticism. I enjoy criticism. The thing I don't like is cruelty for cruelty's sake. You don't have to be a jerk to say something negative. You can say something in the negative sense and have class.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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Part of my job as a food writer is to describe food. So my work on 'Top Chef,' I feel, is an extension of that. When we give a criticism to the contestant, we want to make sure we tell them why it's not working and why it would work if they did it a different way.
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Critics do their job, and I take their criticism seriously.
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Blown about with every wind of criticism.
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What’s true is that everyone is uncomfortable with expressing anger and being critical. Anger and criticism generates rejection. And everyone hates rejection.
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The hard part (of communication) is hearing criticism so it can be easily given.
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Listening in response to criticism mandates a shift in our internal psyche that marks perhaps the most important single evolutionary shift humans can make.
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The critic does not pass judgment on the work; rather, art itself passes judgment, either by taking up the work in the medium of criticism or by rejecting it and thereby appraising it as beneath all criticism.
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Anybody that gives even a just criticism of the Jew is instantly labeled antisemite. The Jew cries louder than anybody else if anybody criticizes him. You can tell the truth about any minority in America, but make a true observation about the Jew, and if it doesn’t pat him on the back, then he uses his grip on the news media to label you anti-Semite.
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Like it or not, women are always subject to criticism if they show too much feeling in public.
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Litmus test: If you can't describe Ricardo's Law of Comparative Advantage and explain why people find it counterintuitive, you don't know enough about economics to direct any criticism or praise at 'capitalism' because you don't know what other people are referring to when they use that word.
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I think self-criticism is sort of a given when you're an actor. It's also about being curious and not being flippant. Anyone who accepts being in this noble profession is automatically self-critical.
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The first modern novel was already a product, even an expression, of negative criticism: 'Don Quixote' contains a quite explicit critique of the chivalric romance and its insufficiency to account for the way real life feels when you get up in the morning in 17th-century Spain.
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I have come to this conclusion: if 'sentimentality' is lazy emotion, then the term itself is lazy criticism.
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RoboCop the first movie was fantastic. But even if there was no movie, the concept of RoboCop is brilliant, first because it lends itself to a lot of social criticism, but also because it poses a question, 'When do you lose your humanity?'
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I started going to castings a few years ago when people didn't know who I was. People forget about [that time] because they've seen my career - the path that it's had in the last couple years.
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When you receive criticism from well-meaning people, it pays to ask, ‘Are they right?’ And if they are, you need to adapt what they’re doing. If they’re not right, if you really have conviction that they’re not right, you need to have that long-term willingness to be misunderstood. It’s a key part of invention.