Randy Houser Quotes
Quotes to Explore
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I started auditioning but at times would feel depressed, as I would get shortlisted but never received the final call. Only when the commercials were released would I come to know that I was not selected.
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I've got a couple of bands that I'm working on. The one I'm really excited about, we're called London The Child. It's folky music and it's really cool.
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Celebs says we have no time for love, but I wouldn't say that.
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Never fear to deliberately walk through dark places, for that is how you reach the light on the other side.
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People say never work with children and animals. I actually like working with Oliver Bell, and working with a rat really opens possibilities to you because you don't know how it's going to be. It's just a rat, so you can just react to this rat being a rat, if that makes sense.
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The judge is forced for the most part to reach his audience through the medium of the press whose reporting of judicial decisions is all too often inaccurate and superficial.
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Younger audiences are into me because I did 'Stuart Little,' and that movie was a very big deal for kids. And in 'Angels in the Outfield,' a generation of kids learned about magic and angels. And then, of course, there are these two blond girls named Mary-Kate and Ashley Olsen, and I played their nanny on their TV show.
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I went to school to study literature and writing, even though I didn't end up really doing that in the end. I thought I would be a teacher, but I didn't really think about it in any practical way.
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I'm from New York, so I'm not a big driver.
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I had two sisters carried away in a chain-gang - one of them left two children. We were always uneasy.
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Just as water is a key ingredient to growth on the farm, capital is required for businesses to thrive.
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The Venturer is one who keeps his eye on the hedgerows and wayside groves and meadows while he travels the road to Fortune.
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When I am cast in a movie where I feel that the woman's part is more interesting, I usually start thinking about Spencer Tracy and Fred Astaire. They seem to be the most clear actors when working with women.
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Cartooning was a good fit for me. And yet now, years later, I almost never think about it.
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If I like a thing, it just sticks after once reading it or hearing it.
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We are not the same India that the world saw in the 1970s and '80s. Hence, we have a responsibility to live up to the pedestal on which we have been put.
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I really try to take care of myself. I really put forth the effort to make a regimen just a part of my life. When I can't, for instance if I'm in a location someplace and I can't work out because of the schedule of the picture or whatever it is, as much as I normally do when I'm home, I still do something.
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My secret to all casting, and specifically kids, is cast good human beings.
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Experimenting with different sounds is great, but when it comes down to it, you're still playing a guitar.
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At some point when I wasn’t paying attention, comedic genocide just stopped working for me. This is a shame because so much fantasy and SF depends on genocide as positive plot element. This trifling oddity of taste must have robbed me of hours of morally equivocal entertainment.
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Cinema affects everything, from the way I get dressed to how I build my stages.
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I never intended for the Monster Ball to be a religious experience, it just became one.
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It just happens to be that people like to associate poetry and rap music. I think that idea is kind of corny.
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I've made music since I was a kid so I've always gotten joy out of that.
