Kevin Dillon Quotes
Quotes to Explore
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Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
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An alliance of civilisations can be our most powerful weapon in the fight against terror.
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I think these people have betrayed or have forgotten their ancestors.
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All of us are trying to achieve 100 percent in our work. That's all we struggle to do. We never do, but we never stop trying until the day we die. It's that struggle to achieve 100 percent, that's where our performance lies, that's what the audience gets. They get the struggle.
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I'm the Chris Martin of hip-hop.
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I don't want to live in a nanny state where people are telling me where I can go and what I can do.
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I imagine that my characters have become much more complicated than when I first began, which would be normal.
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We are constantly competing with the monsters from the id.
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Maurice was a silly man. Maurice liked being silly.
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I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
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I wouldn't overestimate the importance of my popularity in the country and abroad but at the end of the day it's not as important because I believe that my presence here could make some difference and it could encourage people.
Garry Kasparov -
And now I have a big house, nice clothes and I travel in first class and I love it, so maybe it's time to enjoy being a star.
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Rights that do not flow from duty well performed are not worth having.
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If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.
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You feel like you're really a part of a movement when you're singing Journey at a karaoke bar.
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My parents were Beatle fans, but my mom was especially a Lennon fan, so I was exposed to him more. I remember her playing 'Double Fantasy' quite often.
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'Your Erroneous Zones' was the book that went over the top simply because I believed in it so much.
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The demographic of young people... in each hand is a phone, more powerful than a computer. It's a doorway to the digital nation, to education.
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Processionalism is primary - how you get from one place to another, the relationships and effects of spaces as you move about in them. That's worked out awfully well in the State Theater. I'm a 'straight-in' man myself; I'm too nervous, I like to know where I am. I also like to know where I'm going.
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I am the eldest child; it's lonely at the top.
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The interesting part of the process is developing the character, you know, why did he become that? Why is the guy a murderer, or why is this guy a pervert, or whatever he is. So that's the fun part for me to delve into the abyss.
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I've spoken about this completely independent of this movie prior to ever being attached to this film that as a kid the first movie that I remember seeing that resonated with me was the Wizard of Oz. I think just visually the color, the spectrum of it and how fantastical it was and how much you wanted to live in that world, for a nine-year old was so magical and so grand so I have the greatest, fondest memories of it.
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Curiously enough, I was one of the first to have some say in Hollywood. By sheer accident, I had four successes in a row in the early 30's and, although I was still in my 20's, I demanded and received approval of cast, story and director. I don't know how I got away with it, but I did!
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I really enjoy acting. I feel I'm getting better and better with each movie I make.
