Kevin Hart Quotes
Quotes to Explore
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Don't taunt the alligator until after you've crossed the creek.
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I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.
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I still do commercial work as an actor, which I love, because it's very quick, and it definitely pays my bills.
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It is the original idea that is unique, not the object itself.
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I don't know any woman who doesn't have an anxiety attack about wearing a bathing suit.
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There's a policy now of opening the doors to the outside world.
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If you're a novelist, as I am in real life, you're usually so desperate for any kind of feedback.
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My father was a construction worker most of his life. My mother, when she came from Guadalajara, Jalisco, Mexico, to the United States, never had a chance to go to college either and became a clerical worker. But they did nothing but build this country.
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I have always looked up to Adele and Christina Aguilera as singers ever since I was very young, and now my favorite male singer is Hozier.
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The last romantic novel I think I read was 'Tess of the d'Urbervilles.'
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The mud is cold when you're in the north of Scotland!
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Care for life and physical health, with due regard for the needs of others and the common good, is concomitant with respect for human dignity.
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I had admired Richard Burton for years and years before I had ever worked with him. He was a great, great actor. It was a joy to get to know him as a person.
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I believe that everything has a shelf life.
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Netflix is something I watch.
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I'm really close to my family, and we talk through things.
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We're really blessed that we've been as well received as we have been.
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Architecture is unnecessarily difficult. It's very tough.
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You're playing and you think everything is going fine. Then one thing goes wrong. And then another. And another. You try to fight back, but the harder you fight, the deeper you sink. Until you can't move... you can't breathe... because you're in over your head. Like quicksand.
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There are not many original shapes or silhouettes -- only a million variations.
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People don't remember each tree in a park but all of us benefit from the trees. And in a way, artists are like trees in a park.
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London has always provided the landscape for my imagination. It becomes a character - a living being - within each of my books.
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I do have a small collection of traditional SF ideas which I've never been able to sell. I'm known as a fantasy writer and neither my agent nor my editors want to risk my brand by jumping genre.
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I don't know about other people, but I love to work.
