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A couple of clues came my way of what I might be getting myself into when I sat down with a number of actors who had played Richard III in the past. And I was hoping of course, that one of them or all of them were gonna give me the magic key, the secret way in to play Richard III but none of them did that.But every one of them did say the following, "Be careful."
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I can't judge the characters I play, because it's for the audience to do. What I can try to do is to understand and embody what were they going through? How did they make the decisions they made? That to me is a more interesting way to approach something, rather than saying this person is a villain and that person is this and - because it's not very interesting to play that anyway.
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Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.
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Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.
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If you ignore the murdering and the conniving, Francis Underwood is an effective politician.
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Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.
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I've been intrigued by politics my whole life. And, yes, I am very close to the Clintons. I was a Hillary person until I was an Obama person. And she was a Hillary person, too, until she was an Obama one, evidently.
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I open myself up every time I walk on screen and give you everything that I am. There are parts of me that are in every movie that I've done. That to me is what my job is.
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When I was young, I learned very early on that I could make my mother laugh. And that was one of the greatest sounds I ever heard.
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I often make the analogy with tennis. Every match the rules are the same, but no game is ever the same. Theatre is like that. Every time is different.
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If you have done well in whatever business you are in, it is your duty to send the elevator back down and try to help bring up the next generation of undiscovered talent.
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Sometimes you walk away from playing somebody and you think, "Wow that was far as from my own experience as I can possibly be." And sometimes you walk away thinking, "Wow. There are qualities in that character that I didn't realize I had." And those can be both interesting and uncomfortable.
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While the sciences are hugely important, let us not leave behind a childs imagination.
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Its the details and the human element that makes Recount entertaining. Even though we know how the election ends, it plays like a thriller. Its also funny.
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Anytime someone can beat the acting out of someone else, I think its a wonderful thing.
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No one’s personal life is in the public interest. It’s gossip, bottom line. End of story.
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To know what you want, to understand why you're doing it, to dedicate every breath in your body to achieve... If you feel you have something to give, if you feel that your particular talent is worth developing, is worth caring for then there's nothing you can`t achieve.
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There are two things that have been happening over the last few decades in my opinion. First, there have been unbelievable, remarkable, pioneering advances in technology and, second, an equal amount of evolution in creativity. These two shifts are meeting at an intersection.
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If you're watching a film on your television, is it no longer a film because you're not watching it in a theatre? If you watch a TV show on your iPad, is it no longer a TV show? The device and the length are irrelevant; the labels are useless, except perhaps to agents and managers and lawyers, who use these labels to conduct business deals.
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To me, getting up every single night and trying to reach out to an audience, and trying to dig deeper and further in the play to serve the writer and to understand yourself in that context is how you continue to grow and learn.
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I've been around politics a long time. I've seen it at its best and its worst, been at so many events, listened to private conversations versus public speaking, understood the game of it, and in many ways the theatrics.
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Its extremely dangerous to compare anyone else to Shakespeare.
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I actually have a number of lovely watches from the International Watch Company.
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If you wanna compete, youve got to get into the original content game.