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I've been intrigued by politics my whole life. And, yes, I am very close to the Clintons. I was a Hillary person until I was an Obama person. And she was a Hillary person, too, until she was an Obama one, evidently.
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No one should ever feel sorry for me. Ive been treated very well for the most part.
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I think what we have seen in terms of gay teenagers committing suicide because of bullying is anguishing. I think young people, if they are feeling like they are confused, need to know that there are people to talk to and that there are places they can go and not feel alone. But I feel that they have just as many rights as I do to not be bullied.
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I've been around politics a long time. I've seen it at its best and its worst, been at so many events, listened to private conversations versus public speaking, understood the game of it, and in many ways the theatrics.
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Sometimes I'll be flipping through the channels and I'll see a movie I'm in. And I'll probably stop and think, 'Sure, I'll watch this.'
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The audience, the place youre in, has everything to do with how your performance goes.
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The movies are not my first priority - the theater is.
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There are two things that have been happening over the last few decades in my opinion. First, there have been unbelievable, remarkable, pioneering advances in technology and, second, an equal amount of evolution in creativity. These two shifts are meeting at an intersection.
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If you have done well in whatever business you are in, it is your duty to send the elevator back down and try to help bring up the next generation of undiscovered talent.
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Audiences grew to like this duality of feeling, where youre both championing a character and youre revolted by them.
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I have done films where we all thought the director didn't know what he was doing and it is going to be a gobble gobble turkey. And you go and watch it and it is great.
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In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in.
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[Washington, DC] feels like you're watching performance art. A lot of the time. I don't believe them, I don't believe what they say, I don't think they're being absolutely sincere. I think it's performance art. And most of them are bad actors.
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It is not about whether you are an executive, a studio or a network. If you have a story or an idea you can build a following for it.
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Our job, you know, in the entertainment profession is to try to illuminate and show people all sides of humanity, and it doesn't just mean that you can only do movies that are only about the good parts of us. You have to be able to eliminate the bad parts.
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To look in the eyes of audiences and see the kind of naughty glee that they got with being on the inside, the audience becomes your co-conspirators.
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Gaming is going into storytelling. It was a new audience.
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As an actor, youre always nervous as to what a director will do with something.
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Netflix did it right and focused on all the things that have replaced the dumb, raw numbers of the Nielsen world - they embraced targeted marketing and 'brand' as a virtue higher than ratings.
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Well, whoever Keyser Söze is, I can tell you he is going to get gloriously drunk tonight.
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I think that when you put yourself, as actors have to do, in other people's shoes, when you have to put on the costume that someone else has worn in their life, it gets much, much harder to be prejudiced against them and even to be - to not try to look at the world in a sense of "I'm not going to judge somebody. I'm going to try to understand who they are and what they're about."
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The greatest sound in the theater is silence.
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I just want it to be better, I just want to be better, but this is very encouraging.
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Fortunately for me, I don't come from the school where you only measure success by how much money something makes or whether it has a big box-office weekend. I measure it by how much people actually participate in the process.