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While the sciences are hugely important, let us not leave behind a childs imagination.
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The audience, the place youre in, has everything to do with how your performance goes.
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I think what we have seen in terms of gay teenagers committing suicide because of bullying is anguishing. I think young people, if they are feeling like they are confused, need to know that there are people to talk to and that there are places they can go and not feel alone. But I feel that they have just as many rights as I do to not be bullied.
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Audiences grew to like this duality of feeling, where youre both championing a character and youre revolted by them.
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There are two things that have been happening over the last few decades in my opinion. First, there have been unbelievable, remarkable, pioneering advances in technology and, second, an equal amount of evolution in creativity. These two shifts are meeting at an intersection.
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It is not about whether you are an executive, a studio or a network. If you have a story or an idea you can build a following for it.
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The movies are not my first priority - the theater is.
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It's the way I feel about acting. That we are given clues by a writer about someone's essence or persona and it's our job to try to figure out which of those clues are true, which of clues we decide to follow and which of those clues we think are red herrings, or only in the way another character thinks of that character.
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I think that when you put yourself, as actors have to do, in other people's shoes, when you have to put on the costume that someone else has worn in their life, it gets much, much harder to be prejudiced against them and even to be - to not try to look at the world in a sense of "I'm not going to judge somebody. I'm going to try to understand who they are and what they're about."
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If you have done well in whatever business you are in, it is your duty to send the elevator back down and try to help bring up the next generation of undiscovered talent.
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I have done films where we all thought the director didn't know what he was doing and it is going to be a gobble gobble turkey. And you go and watch it and it is great.
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To look in the eyes of audiences and see the kind of naughty glee that they got with being on the inside, the audience becomes your co-conspirators.
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[Washington, DC] feels like you're watching performance art. A lot of the time. I don't believe them, I don't believe what they say, I don't think they're being absolutely sincere. I think it's performance art. And most of them are bad actors.
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Gaming is going into storytelling. It was a new audience.
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You can't turn a "no" to a "yes" without a "maybe" in between.
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I've been intrigued by politics my whole life. And, yes, I am very close to the Clintons. I was a Hillary person until I was an Obama person. And she was a Hillary person, too, until she was an Obama one, evidently.
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Sometimes I'll be flipping through the channels and I'll see a movie I'm in. And I'll probably stop and think, 'Sure, I'll watch this.'
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In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in.
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Netflix did it right and focused on all the things that have replaced the dumb, raw numbers of the Nielsen world - they embraced targeted marketing and 'brand' as a virtue higher than ratings.
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Talent is one thing, it is how you nurture and develop it, and never walk away from it. You can be rich, successful, you win awards, but it can always be better.
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The greatest sound in the theater is silence.
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Games are advancing in terms of storytelling and trying to create a character, and its a brand new audience for me.
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Fortunately for me, I don't come from the school where you only measure success by how much money something makes or whether it has a big box-office weekend. I measure it by how much people actually participate in the process.
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As an actor, youre always nervous as to what a director will do with something.