Camille Paglia Quotes
The smouldering eroticism of great European actresses like Jeanne Moreau demonstrated to my generations women's archetypal mystery and glamour, completely missing from the totalitarian world-view of the misogynist Foucault. For me, the big French D is not Derrida, but Deneuve.

Quotes to Explore
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I don't have Gandalf the White's certainty about everything.
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I've worked hard over the years, I've been injured and I've worked hard through it, and I've made it.
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'Shameless' was such a weird time in my life because I never really experienced any kind of role that put me that much in the spotlight before.
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I've always enjoyed making people laugh. But in order for me to be funny, I have to get ticked off about something.
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For every person who has ever lived there has come, at last, a spring he will never see. Glory then in the springs that are yours.
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When an issue is so fraught with partisanship, a special counsel provides some modicum of transparency and accountability rather the the veil of politics.
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I think the NAACP isn't recognized enough for all of the work it does, especially in the field of law. They may have faded from view over the last couple of decades, but they are fighting the good fight.
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I feel like, as a celebrity, I have a responsibility to tell important stories.
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Bob Rubin was opposed to signing the welfare bill. He's not exactly what I call a flaming liberal.
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Guys like me don't necessarily progress very far, which is fine.
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Focus on remedies, not faults.
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There are few women in America that don't want to lose 5 pounds, but I refuse to let that thought dominate my life. And there are too many other real problems in the world - real obesity problems and real hunger problems - to worry that much about a few pounds that I'd like to lose.
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You don't need to wear Spanx if you buy my clothes. The dress, the trousers, the pencil skirt - they should do the work.
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If you're asking your kids to exercise, then you better do it, too. Practice what you preach.
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When I was auditioning for 'True Grit,' I was on the Paramount lot. I was wearing clothes from the 1800s that were big and uncomfortable.
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From 'Midnight Cowboy' to 'Taxi Driver' is a brief era whose grit, beauty, and violence has been quite mythologized.
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I knew what normalcy was, and I wasn't having it.
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With only 2 percent of the world's proven reserves of oil, we in the United States can pump until we are blue in the face and it will not change the fact that we need more diverse and more secure sources of energy.
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I always looked up to great actors and great films. A lot of my family would be like, 'Come on, you should get into these plays that are going on.' I'm like, 'Nah, nah, music's my thing.' I just fell into it. I moved to Atlanta, got with an agency out there, started doing little voiceover commercials, and it started getting kind of fun.
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Homesickness is a great teacher. It taught me, during an endless rainy fall, that I came from the arid lands, and like where I came from. I was used to dry clarity and sharpness in the air. I was used to horizons that either lifted into jagged ranges or rimmed the geometrical circle of the flat world. I was used to seeing a long way. I was used to earth colors--tan, rusty red, toned white--and the endless green of Iowa offended me. I was used to a sun that came up over mountains and went down behind other mountains. I missed the color and smell of sagebrush, and the sight of bare ground.
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For me, embracing my own power is about embracing my right to be an individual.
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In Hollywood films everything is tidied up at the end with clean lines and clean character definitions. It's sort of unsatisfying.
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Even as a child, I felt very guilty about eating animals and never knew that there was something to do about it. And as I got older, it became clearer that there are things that I can do and choices I can make.
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The smouldering eroticism of great European actresses like Jeanne Moreau demonstrated to my generations women's archetypal mystery and glamour, completely missing from the totalitarian world-view of the misogynist Foucault. For me, the big French D is not Derrida, but Deneuve.