Johann Wolfgang von Goethe Quotes
Artists have a double relationship towards nature: they are her master and her slave at the same time. They are her slave in so far as they must work with means of this world so as to be understood; her master in so far as they subject these means to their higher goals and make them subservient to them.
Quotes to Explore
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I was a big 'Battlestar Galactica' fan and 'Star Trek' fan. I grew up watching those.
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When something happens far back in the past, people often can't recall exact details. Blame depends upon point of view. There may be a villain, but reality is frustrating because it's often ambiguous.
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I loved Carl Perkins, Jerry lee Lewis... not only were they personal friends.
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I actually have a fear of the water because I nearly drowned. I got caught in a rip tide, and I wasn't a good swimmer because that was when I was emigrating from England to Australia.
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Comedy is a universal language. I grew up watching Nagesh, Surilirajan, Thenga Srinivasan and S.V. Shekhar's comedies. And, of course, Charlie Chaplin! These artists are so blessed: they can make other people happy.
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The director had come to Madrid to court me.
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The nightmare of a film career, or at least the challenge of one, is that you're rarely going to get the opportunity to explore character because once people see you in one thing, you know, they want to see that again.
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All the skills of housewifery are the ones I'm using as a producer.
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I really think that it's disgusting that Paris is the only place where it is illegal for paps to follow you around. It actually took someone losing their life - Diana, an inspirational woman - and then it changed, but they still won't change it in London! It's horrible!
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I know people who prepare their roles in such a way that they technically look ahead and memorize their gestures, and then they stick to it. Those that are technically proficient enough can make it seem natural, but they do that and don't really take in what other people are doing.
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I became obsessed with all these women who die never feeling they did anything extraordinary with their lives.
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I don't think limits.
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Know that the tattoos are all significant. They're all extremely insignificant. I can't break each one down, but it's 20 years. The first one was 21 years of age from a football teammate.
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I'm kind of a pop culture stew, you know.
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Things are fluid in this world, and if you don't remain fluid, you get lost in the sauce.
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I think I am smart unless I am really, really in love, and then I am ridiculously stupid.
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I started NetSuite. NetSuite was my idea. I called up Evan Goldberg and said, 'We're going to do ERP on the Internet, software-as-a-service.' Six months later Marc Benioff, finding out what NetSuite was doing, and kind of copied it.
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People who say they're not nervous - I would be kind of curious to see how successful you are at what you do and how long you've done it. And what is success in your eyes? Have you separated yourself from everyone else in that craft? Or have you settled amongst the pack?
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If you're writing a thriller, and you don't make it compelling, then you've really not done your job. So it's easier for me not to set out with certain goals, and then I can't see them as unmet. It's like life generally: If I'm not aiming to be physically fit, then I'm not always thinking about being unfit.
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A fantastic actor in a scene that's just closed off will be good. But when working with a director who knows little tricks - correct music, slowly pushing in - that stunning performance will somehow become even better. I've always seen it as a symbiotic relationship.
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I starved and slept on park benches. I wrapped myself in the pages of my manuscript to keep warm. For two and a half years I took odd jobs; nothing was going to deter me.
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I must have been heavily schizophrenic all my life. The me who hears what the other me can't play is the dominant one.
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It is a curious fact that with Through the Looking-Glass the faculty of making book illustrations departed from me. … I have done nothing in that direction since.
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Artists have a double relationship towards nature: they are her master and her slave at the same time. They are her slave in so far as they must work with means of this world so as to be understood; her master in so far as they subject these means to their higher goals and make them subservient to them.
