Wallace Stegner Quotes
Quotes to Explore
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Tori Amos had a major influence on how I craft words in a song.
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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'Badlands' is a very tangible record; a lot of the sounds were actual things: they were pots and pans, and they were rocks, and they were voices,and instruments used in a way to create a landscape of sound.
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If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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There are no rules to writing a song.
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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Wayne and Drake, it takes them so long to do a song. I understand why, because they want it to be perfect. But I think I can do a perfect song in 10 minutes.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
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I've had writing sessions with people, but I've never had one where you're just there, and you start making a song, and then it's too good to be true that something really cool will come out of this.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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It was a privilege to direct the music video for Adele's beautiful, heartbreaking song, 'Hello.' When I first heard it, all the images appeared clearly in my head - and her trust and generosity allowed me to work with abandon artistically and emotionally, like she always does. It made me extremely proud.
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I like when the song starts to take over and you feel like you have to dance more than write.
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It's good to let go of control. That's probably something all artists and song writers will say at some point.
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I got a lot more interested in songs that could hold up completely on their own, with just a guitar and voice. For some people that's easy to do, but I find it's really difficult.
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They also explained how the sensors can monitor the levels of acetone on people's breath, and this can be used to tell people who suffer from diabetes when their next insulin shot is due. This is a more discreet method than what is currently on the market.
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Politics, as hopeful men practise it in the world, consists mainly of the delusion that a change in form is a change in substance.
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The pendulum of the mind alternates between sense and nonsense, not between right and wrong.
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The brook would lose its song if we removed the rocks.
