Carmen Agra Deedy Quotes
The hardest part is making the time to write. Not finding the time to write, mind you. Making.

Quotes to Explore
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I rarely stay at home when I'm in New York. I'm always doing things. It brings you so much energy.
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New York is one of the greatest cities in the world. It is a fitting host to its many international visitors, who can come to witness first-hand what a vibrant multicultural democracy looks like.
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I think men, growing up, you have to go through some form of hardship. You've got to harden the metal.
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I pinch myself daily at the good fortune of my life, you know, in many ways.
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Hedge funds are not especially liquid. Many are 'gated' - meaning there are only small windows when you can withdraw your money. They typically have a high minimum investment and often require investors keep their money in the fund for at least one year.
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We don't think that we are in a quarrel with anybody. We may have a difference of opinion, but we'll not allow such differences of opinion to grow into a problem that stands in the way of reconstructing the country and regaining the democratic path.
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The security and the future of Jordan is hand-in-hand with the future of the Palestinians and the Israelis.
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The difference between Tinted Windows and Hanson shows is a lot of just repertoire. Hanson has been a band for years - we have a lot of songs to pull from and it's a different dynamic - a common kind of thread. With Tinted Windows - it's kind of a little like 'hey, we're this new band.'
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The logical thing is to implement the Arab Defense Agreement.
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I am not interested in producing fiction for Indian television at all, the reason being that I don't understand the medium. I can be a judge or a host; I can do that as an individual. But to produce TV content, you have to know the game.
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Sometimes I talk to religious people about my column or what I do, and I ask them to, you know, read 20 or 30 of them and then come tell me that the message at the heart of every column isn't, 'Do unto others as you would have them do unto you.' In every possible sense.
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So many good fortunes have come my way, and I'm trying to pay it forward by helping to raise money to complete 'Bulbul: Song Of The Nightingale,' a documentary that brings attention to the social and human injustices suffered by the Banchara tribe in India.
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It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project.
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I think any song should sound good just played on a solitary instrument with the vocal. If you have those basics you have all you need. The production then just polishes that idea into the finished thing.
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I wear a lot of wigs as Jacques Mesrine. He'd wear multiple wigs and take them off one at a time to rob three banks in one hour.
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No one in my family has been observant for generations, but we all identify with being Jewish.
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I was so excited to work with Ridley Scott. Who wouldn't be?
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The critic has to educate the public; the artist has to educate the critic.
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A good film demands its own score, and if you are a musician, your conscience will never allow you to do something mediocre for a good film.
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I'm stronger and sassier as a redhead.
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I can't tell you how many times I've gone to present at the Golden Globes, come home, whipped the dress off and read to my daughter wearing gazillion-dollar earrings. That's how it goes in my house, and I wouldn't have it any other way.
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I ski very aggressively, and the angles that I create with my body are similar to some of the male racers.
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I don't think I make genre films. I think studios try to sell films as genres because they know how to do that. There's nothing wrong with that. I don't know what I make. It's sort of a pot roast, all my films.
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The hardest part is making the time to write. Not finding the time to write, mind you. Making.