Carmen Dell'Orefice Quotes
I was the one who kept telling my second husband he should become a cinematographer. I paid for him to get his director's card, and he went on to make 'Godspell.'
Quotes to Explore
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We put more emphasis on who can drive a car than on who can be a parent. And I think there ought to be mandatory parenting classes starting in high school, and you should have to have a license to be able to be a parent to explain that you don't give alcohol to kids.
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It's those damn critics again.
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There is, therefore, no solution possible other than an economy directed by the workers through their organisations of control-through the workers' syndicates.
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All that money stuff was so strange; all it ever meant to me was freedom from worry. I'm happier now than I've ever been but I still wish I had that money.
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I did a lot of little girl groups here and there just to get more comfortable on stage. When you're in girl groups, it's a lot different because if you mess up, there's someone on stage to back you up, and finally I got to a point where I knew I could do it on my own.
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I write 'Broad City,' so I connect it to me.
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My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.
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I'd like to think a baseball picture is somewhere in my future.
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I was a gymnast when I was little, like 8, 9, 10.
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I don't care about revenues.
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I don't want to be a director, or to have responsibility for hundreds of people.
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I have no tattoos that I regret - I have had some that I have had changed according to how my life was.
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For years, I have repeatedly said that Maryland taxpayers were being overtaxed and overcharged.
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It's always an inner wish of every actor to reach out to maximum audiences.
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I like shopping at retail places like JC Penney or Macy's, and maybe buying a top or a shirt, and then buying a skirt from Rue 21 or Forever 21 because they have the maxi skirts, which I appreciate so much, and then topping it off with something that I buy from a Somali shop.
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'Helter-Skelter' was the motive for the murders. Manson borrowed that term from a Beatles song on the 'White Album.' In England, helter-skelter is a playground ride. To Manson, helter-skelter meant a war between whites and blacks that the Beatles were in favor of.
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The music field was the first to break down racial barriers, because in order to play together, you have to love the people you are playing with, and if you have any racial inhibitions, you wouldn't be able to do that.
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What I call my 'self' now is hardly a person at all. It's mainly a meeting place for various natural forces, desires, and fears, etcetera, some of which come from my ancestors, and some from my education, some perhaps from devils. The self you were really intended to be is something that lives not from nature but from God.
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Don't ever put anything past kids. They will surprise you in the best ways.
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We always see the innocent victims in the stories, and I am a little bored with that. I am much more interested in the price paid by the people who can fly.
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In 'Shadow Tag,' Erdrich creates scenes from a fictional marriage, that of two American Indians, Irene and her painter husband Gil, that suggest some of the worst psychological torments and stresses of real life.
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There is parody, when you make fun of people who are smarter than you; satire, when you make fun of people who are richer than you; and burlesque, when you make fun of both while taking your clothes off.
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These days I wonder more and more why people are pessimistic when American history actually supports optimism.
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I was the one who kept telling my second husband he should become a cinematographer. I paid for him to get his director's card, and he went on to make 'Godspell.'
