Caroline Kennedy Quotes
Quotes to Explore
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Revision is the heart of writing. Every page I do is done over seven or eight times.
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I think you have to learn for yourself how to write. I'm slightly mystified by creative writing courses - God love them - because I can't understand how you can explain a process that I find so baffling.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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The writing of the wise are the only riches our posterity cannot squander.
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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From 1999 on - until 2003 - I covered publishing in a weekly column for Wired.com and wrote for several other publications - altogether writing over 150 articles.
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The most difficult and complicated part of the writing process is the beginning.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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We all need to focus on our writing. Because the millions of readers out there don't care about your blog.
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I'm disregarding all the rules I've seen as people approach writing music. I'm trying to break them.
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I never see myself as writing satire. I think I write about people as they really are, without making them better or worse.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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While I'm writing, I'm also the first reader, and I want to write a book where I'm excited about what happens next.
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Whenever you're writing something that's reflective, you have to put yourself through some sort of ordeal just to understand the way you're feeling.
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I didn't have a desk to write 'Red Queen' on, so I got a nice writing desk.
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I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
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The Life Cube Burn is cathartic, fun, exciting, and even reverent. It's a spectacular opportunity to put a sense of finality to the event. And when those thousands of written "wish-sticks" inserted into the Cube from all kinds of people combine with the art and shared messaging from the write boards in a blaze of flame and a column of smoke and ashes, it becomes a communal and very spiritual moment.
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When you are writing something, you can’t anticipate how an audience is going to respond and the fact that people can associate with it is very satisfying.
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The easiest way to propagandize people is to let a propaganda theme go in through an entertainment picture when people do not realize they are being propagandized.
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You will never catch up. Walk around feeling like a leaf know you could tumble at any second. Then decide what to do with your time. --The Art of Disappearing.
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I enjoy writing. I enjoy that kind of process.
