Caroline Lawrence Quotes
Plot is what happens in your story. Every story needs structure, just as every body needs a skeleton. It is how you 'flesh out and clothe' your structure that makes each story unique.
Quotes to Explore
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I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
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I just wear black and gray all the time. If you Google Image me, you'll just see a bunch of black and gray. It's simple. If I like a shirt, I'll buy six or eight of them, wear them back-to-back, and just wait for somebody to say something. 'That's the same shirt you wore yesterday.' 'Yeah, but this one is fresh.'
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My dream role is Jack Johnson, the first black heavyweight champion.
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Science and religion are the two most powerful forces in the world. Having them at odds... is not productive.
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I'd be kidding if I said that I predicted the financial collapse.
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I thought that communism, the tyranny of communism, was an abomination and I beseeched God to bring that terrible evil down and he did. It was a great triumph, it took awhile, but it happened.
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Discipline and united action are the real source of strength for the nation.
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I would think about the outcome. Visualize sometimes. Because it never comes out the way you want it to. Fight the way I know how to fight. Whatever comes up, comes up.
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I picked up 'The Hunger Games' thinking it was written at my regressed reading level. I've spent hours reading it, and I'm not even halfway through. Our bass player, whose name is also Nate, ended up reading all three novels and loved them.
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You can find Chobani in every major supermarket, in club stores, convenience stores and airports. But we're not everywhere yet. We have been struggling with keeping up with demand.
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If you see ten troubles coming down the road, you can be sure that nine will run into the ditch before they reach you.
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We who follow the Honorable Elijah Muhammad feel that when you try and pass integration laws here in America, forcing white people to pretend that they are accepting black people, what you are doing is making white people act in a hypocritical way.
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There's no social realism in 'Tyrannosaur.' It's not about the social landscape or the political landscape or any of that. It's just about human beings. I never made 'Tyrannosaur' in reference to anybody - I just made it because I had to make my own films.
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When I was young, I was rather attractive, and I thought that I would be a leading lady. I always thought of myself as a dramatic actress, but of course the opportunities for blacks weren't there at the time.
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When I looked at the skeleton of 'Damn Yankees,' I saw an indestructible story, absolutely original characters, one of the freshest, sassiest American scores of the century, and some outmoded equipment.
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I got into DJing and making beats when I was about 17. I was always fascinated by the four elements of hip-hop: you know, writing, rhyming, breakdancing and graffiti.
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People often ask me about what constitutes a nerd-friendly show - like, does it have to have sci-fi elements? But I think it's just a show that satisfies the secret craving we all have to be obsessed with something and not feel at all stupid about it.
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When I think back to my childhood, I just think of the word 'freedom.' In the summers, we spent all day on the beach.
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As I contemplate the kind of future I want for children-my own and other people's-I believe we must look inward to God for guidance and strength and backward to draw on the values and legacies of our families, ancestors, and communities.
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Transparency is not about restoring trust in institutions. Transparency is the politics of managing mistrust.
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The truth is many of us have been socialized to think that if we are not the very best, if we are not at the top 1 percent of whatever it is we do, then we are not good enough. To reinforce this already pervasive mental model, society has established a competitive hierarchy for just about everything.
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The field of quantum possibility, in which love has opened doors otherwise unimaginable, is our soul's true habitat. The world of fear and limitation is not our home, and who among us is not profoundly weary of hanging out where we do not belong.
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Plot is what happens in your story. Every story needs structure, just as every body needs a skeleton. It is how you 'flesh out and clothe' your structure that makes each story unique.
