Neil Sedaka Quotes
Quotes to Explore
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As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother's house. All children, I suppose, come into the world like that, not knowing who they are.
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Oh while I live, to be the ruler of life, not a slave, to meet life as a powerful conqueror, and nothing exterior to me will ever take command of me.
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I had a job as a paralegal. I drove a cab.
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Some weasel took the cork out of my lunch.
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I think it's really good to get the adrenaline pumping.
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My relationship to food is that of an acrophobe to a bridge. Unease masks a desire to jump.
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The Illinois Constitution was written before they realized they'd have a city the size of Chicago in the state. The constitution had severe limits on the ability of any city to raise monies through taxes and bonds. When Chicago grew explosively, they had to come up with ways of getting more money to do more things.
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The more completely we focus our attention on our Creator and Lord, the less chance there is of our being distracted by creatures.
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I've been spoiled rotten with the costumes I've worn.
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I didn't plan on going into show business. Show business picked me. And it's been fun. One of the best things about being in show business is people think they know me, and they feel like they grew up with me.
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My weakness is wearing too much leopard print.
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I think this is all my life. Because if I was split gymnastics and something else like far, fun or to go with friends. No, this, you're supposed to one go, one straight road and to do every day. And touch the wall, of the goal.
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What you do on tour is you build this 'You and me against the world' thing.
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The roads of life are strewn with the wreckage of run-down and half-finished loves.
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Life is so much easier when I allow myself to be myself and go with the flow. Whatever that looks like on a given day. If I can get quiet enough to truly check-in with myself, I usually end up on the right track.
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I have always admired the way women put outfits together.
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My stories deal with multicultural situations as well as multigenerational settings.
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When I began writing in the mid-1960s, I thought it was not important for readers to know whether I was male or female. Also, I was a great admirer of E.B. White, so I may have thought that it would bring me luck to submit my first manuscript as 'E.L.' But if I were starting out today, I would use my first name.
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The story that I wanna tell is pretty much about the way I grew up. Being bi-racial, growing up in a big city and being an artist.
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I grew up around backstage, and that clinched it for me.
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This can never become popular, and, indeed, has no occasion to be so; for fine-spun arguments in favour of useful truths make just as little impression on the public mind as the equally subtle objections brought against these truths. On the other hand, since both inevitably force themselves on every man who rises to the height of speculation, it becomes the manifest duty of the schools to enter upon a thorough investigation of the rights of speculative reason, and thus to prevent the scandal which metaphysical controversies are sure, sooner or later, to cause even to the masses.
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I think Woody Allen calls it 'anxiety of influence.' When you're in your formative years and you watch a movie that makes you want to make movies... For Wes Anderson, it's Truffaut. I'm sure for P.T. Anderson it was Scorsese and Jonathan Demme.
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I read about the Trinity. I found something - Jesus was Jewish, he was a rabbi! - and I read a lot of stories about Jesus in Israel. And it's interesting that they picked me for this part in The Snack, and I'm Jewish, I'm kind of religious Jewish from Israel, and I don't look like the traditional Jesus with the long blonde hair and blue eyes.
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I am a Jew, and I'm convinced that Israel is the homeland.
