Ida Lupino Quotes
Quotes to Explore
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I won't allow myself to have tremendous fear.
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I'm not on fire for the Lord, so I tried to make myself generate this fire for the Lord.
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There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
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Winning is great, but being able to finish my last Olympic Games on American soil was very important. Even though I was injured, I didn't let my psyche get the best of me and cause me to doubt myself, so I was willing to pull every muscle in my body in '96 in order to get the job done and I came away with the bronze medal.
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Even if a university should turn out to be another version of a school, I had decided I could lose myself afterwards as an anonymous particle of the London I already loved.
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I like to work all the time and really immerse myself in the project.
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I don't have the looks to compete at a bar, and I'm not that funny. So the last thing I want is to be in a situation where that's what I'm competing on. I'd rather be on OkCupid or Match, where I can write a 300-word essay about myself that's really good.
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I allow myself to fail. I allow myself to break. I'm not afraid of my flaws.
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I pride myself on not being run of the mill. I don't want to be your umpteenth Fantine in 'Les Miz.'
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Every story I create, creates me. I write to create myself.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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In Europe and Sweden, we see boobs on TV, and it's not a big deal. Everyone has them; everyone has seen them.
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I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.
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Obviously, you want to honour the sound of your music, but I'm definitely open to trying new things and making myself use a different palette of sounds.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I've always been a feminist, and what I love in my work is being able to explore a full-sided woman and not patronize her.
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I look at myself as an audience member. I still love movies, and I still go and sit in the back of the big dark room with everybody else, and I want the same thrill.
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I am trying to do comedy on every single medium. I consider myself a public servant.
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The rivalry between the Montague and the Capulet kids seems very modern to me. Juliet is a free spirit, full of untapped love and passion. I think a lot of girls can relate to her. And it's very relevant in terms of kids defying their parents.
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Divinity cannot be perceived through your brain, unless and until this light of your spirit shines into it.
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In all of nature structure determines function. Yet many people consider the marathoner and football linebacker all to be just one composite human being, an athlete. The body must be used to determine its role in sport. 'My aim is to develop every individual according to his best potential, protect him from false ambition, the desire to be someone he never can be and, more important, never should be.'
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Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.
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I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
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I didn't see myself as any advance guard, or feminist.
