Corbin Bernsen Quotes
Quotes to Explore
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During the fall and winter we built Fort Meade and the town of Sturgis.
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Fashion offers no greater challenge than finding what works for night without looking like you are wearing a costume.
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The first movie my dad ever showed me was 'Predator' – I was five. And I think the second one was 'Jaws.'
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My earliest memories of rap music was mixed with my earliest memories of reggae music. They were big sounds around the way, heavy bass lines, strong messages, definitely.
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I have yet to see a drama that puts forward women who are successful and also have a family... they are nearly always seen as victims.
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I was raised by very traditional Southern parents with Southern manners. You don't air your dirty laundry to people that aren't your family or your friends. Why would I ever want to portray myself as anything other than together?
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We interpret our agreement with the IMF - our participation in the IMF's system of cooperation - as a borrowing agreement. The IMF sees it as an economic policy agreement. This is not in our interest.
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When Christians start thinking about Jesus, things start breaking down, they lose their faith. It's perfectly possible to go to church every Sunday and not ask any questions, just because you like it as a way of life. They fear that if they ask questions they'll lose their Christ, the very linchpin of their religion.
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You can't trust water: Even a straight stick turns crooked in it.
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We asked Jane Fonda if she would like to meet American pilots in Hanoi, but she refused, she didn't want to.
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I still love records, and I've been fortunate that my parents bought me a record player so I didn't just have my vinyls to stare at!
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All we had aboard the ship that morning was one Annapolis graduate and three reserves.
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You can think of Hollywood as high school. TV actors are freshmen, comedy actors are maybe juniors, and dramatic actors - they're the cool seniors.
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The Hispanic population in this country is not a monolith. When you're in Miami, the newscast is going to be different from the newscast in Los Angeles.
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You are preparing yourself for a scene, and the most important thing is to remain emotionally available and remain in the moment with your scene partner. You don't want to let your own self-consciousness block the flow of creativity that's coming out so that you can act and react, and play what the scene is all about.
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I am the daughter of Nigerian immigrants. My mother is a survivor of both polio and of the Igbo genocide during her country's civil war in the late 1960s.
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In my humble opinion, change is stupid.
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I wouldn't want to write a biography of anyone. I'd feel too inhibited by the facts and too much pressure to do the subject's life justice.
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I wrote a book called ‘Dancing The Dream’. It was more autobiographical than Moonwalk, which I did with Mrs. Onassis. It wasn’t full of gossip and scandal and all that trash that people write, so I don’t think people paid much attention to it, but it came from my heart. It was essays, thoughts and things that I’ve thought about while on tour...
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Such is the state of life, that none are happy but by the anticipation of change: the change itself is nothing; when we have made it, the next wish is to change again.
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You have to be like a clock spring, wound but not loose at the same time.
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It is the business of the artist to make humanity aware of itself.
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You can inherit male-pattern baldness from your mother's father, but not a tendency to fight in the First World War.
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Making films has been kind of my way of getting closer to God.
