Kesha (Kesha Rose Sebert) Quotes
Quotes to Explore
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I've always liked stories. I'm always reading, ever since I was a kid. I've always been reading and wanting to be in some other world. This is the perfect job for me.
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Like so many families, we were dealing with limited means. We weren't poor at all, but we had some challenging times financially. When my stepdad got laid off... we were really trying to find our footing for a couple of years.
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When it comes to production and the overall sound, I don't really have a lot of intentions with it. I start off with melody and a lyrical idea, and then build off of that story.
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I wasn't naturally gifted in terms of size and speed; everything I did in hockey I worked for, and that's the way I'll be as a coach.
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I have always battled injustice. As a child, I used to fight on the side of my friends when boys terrorized them.
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I found one had to do some work every day, even at midnight, because either you're professional or you're not.
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Some people can be choosy because they're ultratalented or lucky or whatever, but yeah, there are certain things that might not be the greatest thing on my resume. But I don't sit back and go, 'Gosh, I wish I didn't do that.' It's all part of the growth of a career, whether you're an entertainer or a librarian.
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There was never an angry man that thought his anger unjust.
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There were a lot of offers before 'Vicky Donor,' but I wanted to wait for the right opportunity.
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Losing is no fun no matter who you lose to.
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A lot of American playwrights seem to have a career as a playwright. I don't consider it a career at all.
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When women criticized men, I called it 'insight'... When men criticized women, I called it 'sexism' and 'backlash.'
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I think that if you can't be loyal to the Church, it's best to get out.
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Mostly, I just write about feelings that people can relate to. Because, yeah, I don't know who I am, and this is not my sound forever... I'm a human, so hopefully, I will always develop.
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I had just had small parts in other films, and I'd worked with a lot of directors in TV.
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Movies are a commercial medium. We don't make movies to impress our friends and critics. It's an expensive medium. We have to gain money from it.
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'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman.
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But when I direct I become possessed, a possession I've never quite understood.
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I pretty much like all music except for country. I'm not a big fan of country.
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While the transition from a combustion-powered society to electrification is already underway due to market forces alone, this transition will take generations without support. But we have every incentive - environmental, economic, and yes, moral - to speed the evolution.
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It's very much like filmmaking always is-you're always asked to do something that you're not sure you know how to do. So you make an educated guess as to what you think will work and you hope between that and plan B, that you can end up with a product that's really good.
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Yesterday we obeyed kings and bent our necks before emperors. But today we kneel only to truth, follow only beauty, and obey only love.
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It's very hard to uphold individual liberty when the person you're representing is often a crook.
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My makeup is usually left over from the night before.
