Brenda Lee Quotes
Quotes to Explore
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I don't miss acting at all.
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I think I'm a critic of corporate power, whether locally or globally. And the term 'globalization' I've never found all that helpful.
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Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.
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Comedy, we may say, is society protecting itself - with a smile.
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Mahatma Gandhi was someone who demonstrated the tremendous power of leadership by example.
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I really connect to strong feminist writers that make their ideas accessible for the rest of the world.
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I have a cousin called Flirta D who was big in the grime world, which made me really cool at school. 'Flirta D's your cousin?' 'Yeah, buddy.' 'He must be a millionaire!'
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My wish is for gay to become less of a label, and more of just one of many great colors in the collective box of humanity.
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I choose projects that resonate with me on some personal level and projects that I'm afraid to do. If I'm afraid to do them, then I usually say yes, because it means that I'm not ready to go there and deal with certain aspects of the script. And that means that I need to do it, because the things that scare you only make you better and stronger.
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'Breakfast at Tiffany's' isn't a great movie because Audrey Hepburn is brilliant and everyone else isn't. It's a great movie because everybody is fascinating, and she is at the center of it being amazing.
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In college, I was a huge fan of 'Les Miserables.' I seem to remember that people who were into French literature preferred Hugo's poetry.
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I naturally like that dreamy, shoegazey sound on my vocals. A lot of reverb helps, and so do a lot of delay effects on everything.
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It was a superb agreement to end a war, but a very bad agreement to make a state. From now on, we have to part company with Dayton and try to build a modern democratic state, for which I have tried to lay the foundations.
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Muslims who commit terrorist acts are perverting their religion.
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All day long the door of the sub-conscious remains just ajar; we slip through to the other side, and return again, as easily and secretly as a cat.
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After university, I was working as a stylist in the Paris theatres when I had a flash of inspiration. I made necklaces from the bikinis designed for the cabaret performers of Folies Bergeres. I was so happy with them that it was only then that I sought out formal training in jewelry.
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After 'Chandni Bar' there was a shutdown of such bars in Mumbai. After 'Page 3' people started avoiding such events. 'Traffic Signal' exposed the money flow through the mafia. I'm not apologetic about the brutal truth in my films. Almost 70% of my films are based on reality, and 30% I fictionalize or change to suit my film.
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I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
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My shoes are perfect for the very sexy woman who wants to be elegant.
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If the devil cannot make us bad, he will make us busy.
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I'm tired of being lied to by government, by the media, and by every corporation I have anything to do with.
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I was just getting tired of the image bullshit...that man of mystery trip and what have you. What's that all about?
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People will get tired of overly retouched images soon and they'll want something different. If people have too much reality, they want fantasy. What matters most is what the image communicates. I remember the first roll of film I shot at high school, the contact sheet went from these really worthy images of cracks in the wall and ended up with all of my dancer friends naked in Renaissance poses.
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I don't think you ever get tired of the well-written, well-crafted songs.
