Forest Whitaker Quotes
Poitier opened the doors to so many artists, not just black artists. There is a line that goes from black to Latin to Asian with regards to roles.
Quotes to Explore
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I'm black, I don't feel burdened by it and I don't think it's a huge responsibility. It's part of who I am. It does not define me.
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I'm a TV junkie, so it's hard to choose just one. Currently I'm a slave to 'Black Sails,' 'Vikings,' 'Game of Thrones' and 'The Mindy Project.'
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Ricky Martin is one of the artists I wanted to be growing up.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
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But black people fall for that same argument, and they go around talking about law breakers. We did not make the laws in this country. We are neither morally nor legally confined to those laws. Those laws that keep them up, keep us down.
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Black people must address itself to the causes of poverty. That's oppression in this country.
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I take it seriously that it's a privilege and honor to be a role model to young girls, both black and white. It's not something I take lightly.
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I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
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I love to drive in the Black Hills of Wyoming and South Dakota with Mount Rushmore as the central stop.
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Eddie Conway is central to my first memories. My parents used to take me to, when it was open, the Baltimore city penitentiary to see Eddie Conway - I was talking to my dad about this recently - from the time I might have been one or two years old. I mean, literally, my first memories are of black men in jail, specifically of Eddie Conway.
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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Bootworks' Black Box Theatre has a maximum seating capacity of two - as long as one of you is happy to sit on the other's lap.
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There are ogres and black beasts out there; you have to be constantly on guard.
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I've been writing about my boyhood, when I was a little kid back on my grandfather's farm where we didn't know about black widow spiders or all that stuff. But writing about that is so easy.
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If your response to the first black president is to say they weren't born in this country... you might be a white supremacist.
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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There was a time I was no longer going to be black. I was going to be an 'intellectual.' When I was first looking around for colleges, thinking of colleges I couldn't afford to go to, I was thinking of being a philosopher. I began to understand then that much of my feelings about race were negative.
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When you say that you are a race man, it means that you embrace the entire black community regardless of the hue, whether somebody is very light and could pass for possibly white or someone is very dark.
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The lunar flights give you a correct perception of our existence. You look back at Earth from the moon, and you can put your thumb up to the window and hide the Earth behind your thumb. Everything you've ever known is behind your thumb, and that blue-and-white ball is orbiting a rather normal star, tucked away on the outer edge of a galaxy.
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There's a set of rules out there somewhere that says it all ends by 40. I hope to be able to defy that because I truly love my work.
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The key is that I'm trying to keep growing and trying to keep learning and deepen my connection in every way, in my life, in my work. That's what I do when I look at a role.
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For my 21st birthday, I think my mother wanted to give me a watch, or something, you know, some kind of traditional thing. And I said, "Well, if you're going to buy me something, there's a Gibson Melody Maker guitar advertised in the paper for 60 dollars. Do you think I could have that?" And I think that she was very disappointed that at 21 I was still messing around with that sort of thing. She didn't understand what it was all about. But now she understands it, and likes it.
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Poitier opened the doors to so many artists, not just black artists. There is a line that goes from black to Latin to Asian with regards to roles.
