Kim Cattrall Quotes
There is no need to feel defeated at 40, 50 or 60. I'm having the greatest time in the second half of my life.
Quotes to Explore
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When I was, like, 16, I went in to the head of Disney, and I hadn't taken acting class really at all, and I didn't know what I was doing, and it was really embarrassing. Of course, you think Disney wants over-the-top and funny, and I was just trying to be over-the-top and funny, and it just wasn't working, and that was the worst.
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I really enjoy getting to go and play on other people's shows for an episode or two. It adds such variety to my repertoire.
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There's nothing wrong with being anthropomorphic. That's how we understand the world.
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Language is the most extraordinary invention in the history of humanity, the one which came before everything and which makes it possible to share everything.
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I came of age as a male lead actor just as the TV landscape dramatically shifted.
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As a writer, I absorb stories, allow them to churn within my own head and heart - often for years - until I find a way of telling them that fits both my time and temperament.
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I'm not one to get involved with what anyone says about me.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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If you go to Africa and you're white, you're probably not going to get that much work either. But the fact is that there is a longer history of black integration in the U.S. I don't have any resentment about this: I did the maths, calculated it against my ambition and decided to leave England.
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Peoplehood tends to develop into nationhood if the people achieves a certain maturity. This is analogous to an individual person who becomes acquainted with herself only in the course of her life, without being able to say that she possessed no personal uniqueness at all before that 'self-recognition.'
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I was popular. I wasn't the most popular. But I definitely held my own.
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Now, most of the new immigrants coming to this country are from Asia as opposed to Europe.
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I played Miley Cyrus' grandma on 'Hannah Montana,' and the first time I was on, they said, 'We love having veterans like you on because she's like a little sponge, and she's really appreciative of all the veterans that are coming on the show, and we just love that you're teaching her.'
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I'm not a good Samaritan, I'm a businessman... The goal is to read and react. If we sign an artist that has potential for a shelf life way out in the distance, then we'll stay. But if not, then we won't.
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One who is persistent will excel.
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'Matterhorn' is my metaphor of the Vietnam War - we built it, we abandoned it, we assaulted it, we lost, and then we abandoned it again.
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God has just given me such an amazing journey and able to play; it's been so much fun. I'm having a blast!
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That's one thing the musicians don't remember: you don't choose your demographic - they choose you.
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If sometimes there seems to be a sort of sameness of sound in The New Yorker, it probably can be traced to the magazine's copydesk, which is a marvelous fortress of grammatical exactitude and stylish convention.
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I'm a bit of a lurker on Reddit.
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We are fighting against Islamism, not Islam. Islamism is the will to impose Shariah for all as civil, political and religious law. … In reality, it's asking French people to increasingly submit themselves to the Muslim religion. That goes totally against the secular principles of the French republic.
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'The September Issue' is really a film about Anna Wintour's relationship with long time 'Vogue' Creative Director Grace Coddington. The two of them have been working together for two decades, and the extraordinary symbiosis between them has left an indelible mark on the fashion industry.
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There is no need to feel defeated at 40, 50 or 60. I'm having the greatest time in the second half of my life.
