Kim Edwards Quotes
It's impossible to control the reception of your work - the only thing you can control is the experience of writing itself, and the work you create.
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
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College was where I got to actually experience the difference between black and white.
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But it's the particularity of a place, the physical experience of being in a place, that makes it onto the page. That's why I don't just do library research. I very rarely write about somewhere I haven't been.
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I love writing. Given a choice, after directing for all these years, and if given an army of talented directors, I would not direct at all.
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I want to do work that has a message and casts a light over an area that's dark. But I'm fun and jovial, too.
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Letters actually work. Even the top dog himself takes time every day to read 10 letters that are picked out by staff. I can tell you that every official that I've ever worked with will tell you about the letters they get and what they mean.
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As a grandson of farmers in downstate Illinois, I have long admired the dedication of farmers to their work and have written about the role of agriculture in American innovation.
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My mountaineering skills are not important to my best photographs, but they do add a component to my work that is definitely a bit different than that of most photographers.
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Most of Planned Parenthood's work focuses on health care for low-income women: things like screenings for breast cancer and diabetes, and family planning.
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Arendt did have a certain snobbishness, though in some of her writing she expressed more democratic attitudes.
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How come I love having an episode of deja vu? It's akin to an out-of-body experience, I would think. It sits with me, happily, begging me to delve into my memory to find its match point.
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When I was leaving Yemen to come to America, things were tough. My dad had just been laid off, and it was a challenge. When I lived in Yemen, I thought America was a perfect place. Everything was bigger and better. I dreamed big. The American dream, you know? You have to work hard for your dream to come true.
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The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
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When people come to Twitter and they want to express something in the world, the technology fades away. It's them writing a simple message and them knowing that people are going to see it.
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War is society's dirty work, usually done by kids cleaning up failures perpetrated by adults.
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I was greatly influenced by musique concrete when I was, like, 10. I was completely mesmerized by the idea that you could make music out of sounds. So that's been a constant influence on all my work.
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I never work just to work. It's some combination of laziness and self-respect.
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My sister Kathleen - one year older - was the school's acting legend. Her thing was getting all the parts, even Tiresias. And I wasn't going to mess with that.
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Another Black Label motto. That's what I think life is. It's just another bridge to cross. You ask no questions. Whatever work it is you gotta do, you gotta go over it, under it, through it, around it, to do it.
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The 1500 m. record was considered impossible to break.
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Pablo Picasso was generous. But he always signed and dedicated his gifts even when he knew that people would sell them because they needed the money.
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It was good growing up in a small town. The whole town would shut down on Friday, 5 o'clock. If I'd been a bank robber or wanted to ransack a house, there wasn't nobody in town. The cops would go, too. They'd lead the bus to wherever, to Plano or Cooper or Commerce, wherever we was playing. It was something for a town to rally around, whether we had a winning season or a losing season. It was a place to go gossip, a place to go see friends.
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It's impossible to control the reception of your work - the only thing you can control is the experience of writing itself, and the work you create.
