Kim Edwards Quotes
It's impossible to control the reception of your work - the only thing you can control is the experience of writing itself, and the work you create.
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
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College was where I got to actually experience the difference between black and white.
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But it's the particularity of a place, the physical experience of being in a place, that makes it onto the page. That's why I don't just do library research. I very rarely write about somewhere I haven't been.
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I want to do work that has a message and casts a light over an area that's dark. But I'm fun and jovial, too.
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Letters actually work. Even the top dog himself takes time every day to read 10 letters that are picked out by staff. I can tell you that every official that I've ever worked with will tell you about the letters they get and what they mean.
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As a grandson of farmers in downstate Illinois, I have long admired the dedication of farmers to their work and have written about the role of agriculture in American innovation.
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My mountaineering skills are not important to my best photographs, but they do add a component to my work that is definitely a bit different than that of most photographers.
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Most of Planned Parenthood's work focuses on health care for low-income women: things like screenings for breast cancer and diabetes, and family planning.
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Arendt did have a certain snobbishness, though in some of her writing she expressed more democratic attitudes.
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When I was leaving Yemen to come to America, things were tough. My dad had just been laid off, and it was a challenge. When I lived in Yemen, I thought America was a perfect place. Everything was bigger and better. I dreamed big. The American dream, you know? You have to work hard for your dream to come true.
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The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
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War is society's dirty work, usually done by kids cleaning up failures perpetrated by adults.
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I was greatly influenced by musique concrete when I was, like, 10. I was completely mesmerized by the idea that you could make music out of sounds. So that's been a constant influence on all my work.
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I never work just to work. It's some combination of laziness and self-respect.
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My sister Kathleen - one year older - was the school's acting legend. Her thing was getting all the parts, even Tiresias. And I wasn't going to mess with that.
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Another Black Label motto. That's what I think life is. It's just another bridge to cross. You ask no questions. Whatever work it is you gotta do, you gotta go over it, under it, through it, around it, to do it.
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I first encountered Bradbury's writing when I was pretty young. He's a great bridge author between young-adult fiction and literature.
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I hope the wonder of what happens to my characters never goes away. That yearning keeps me writing.
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I like being on the margins. You work better there.
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Neither one of the parties is doing anything for poor people. They're both full of it. Black people have been voting Democratic their whole life, and they're still poor. And the Republicans don't do anything for poor people, either.
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Friendship is love as much as any romance. And like any love, it’s difficult and treacherous and confusing. But in the moment when your knees touch, there’s nothing else you could ever want.
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I have been sent three or four scripts for television series, but there wasn't anything I really wanted to do. I want to tell a good story, whether it's a TV show, a movie, whatever. That's really my No. 1 criteria.
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It's impossible to control the reception of your work - the only thing you can control is the experience of writing itself, and the work you create.
