Common (Lonnie Corant Jaman Shuka Rashid Lynn) Quotes
I learned a long time ago to be honest when I'm talking to other artists. Up-and-coming artists used to come and say something, they would have a demo reel, and I would try to tell them the truth. I don't go up and say something unless I really feel it.
Quotes to Explore
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A hero is no braver than an ordinary man, but he is brave five minutes longer.
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I think that, as is the case offline, we should not be tolerant of hate speech, racist comments, or groups that promote hatred or intolerance in any shape or form.
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Life consists in what a man is thinking of all day.
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I'm kind of obsessed with cool girls.
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When someone has to intervene to defend the liberty of the press, that society is sick.
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Odd how much it hurts when a friend moves away- and leaves behind only silence.
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I've always believed that a good twist is one that, when it is presented to the audience, half of them say, 'I saw that coming.' And half of them are completely and totally shocked. Because if you don't have the half that saw it coming, then it wasn't fair: You never gave the audience a chance to guess it.
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With bikes, it is absolutely the case that you will get what you pay for. Invest in quality so it will endure wear and tear.
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Human beings are a social species. We like to hang together in groups, just like wildebeests, just like lions. Wildebeests don't hang with lions because lions eat wildebeests. Human beings are like that. We do what that group does that we're trying to identify with.
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I don't have many friends.
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But because our organization has grown so much and in so many different ways, the delegation process places responsibility and authority on the shoulders of people you can watch grow and watch the way they treat others.
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I like naturally occurring film grain, and what happens to film when it's under- and over-exposed.
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I write almost everything, actually. Songs, poems, stories. And stories out of every genre, too.
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I certainly do not support excluding faith from public life.
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That's what hip-hop is: It's sociology and English put to a beat, you know.
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So I'm a young boy in the 1940s growing up, seeing Ralph Bunche on a regular basis, seeing Duke Ellington on a regular basis. We know that these people are famous. They're living in the same community as we live in. They go to the same stores and shops.
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Something that I think I figured out slowly was if you're playing a show and there's a chatter or there is, you know, a lot of noise - people talking or something - I was never the one whose instinct was to try to be louder than them.
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There was a rule, back when I was an education lawyer in Alabama, about visiting public schools: always go on a rainy day so you can see how badly the roofs leak.
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What makes me different from everybody else just boils down to dissatisfaction.
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I remember feeling all right with myself until age 13. Then, I was getting off the bus one day and this guy called me Miss Piggy. That was the first time I ever really felt like I wasn't okay.
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I have always had an extreme sensitivity to inequality.
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I try to make it a sonic experience so that when you put your earbuds in or when you're in your room, it sounds like an enveloping feeling. I think that is the most important thing, that wherever you are, it is wrapping you up and making you feel safe and comfortable.
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I was always writing about the connection between man and nature. I grew up in a neighborhood that was right on the beach, but the beach was not like a beach you would imagine - there was a lot of pollution. And the most magical thing to me as a kid was sea glass, so I wrote about that a lot.
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I learned a long time ago to be honest when I'm talking to other artists. Up-and-coming artists used to come and say something, they would have a demo reel, and I would try to tell them the truth. I don't go up and say something unless I really feel it.
