Chuck Klosterman Quotes
And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.
Quotes to Explore
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I've worked so hard since I was 18 years old, and I'd hate for the memories to be boiled down to being a Melania Trump impersonator.
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I have always had a horror and detestation of poverty.
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I don't do detoxes or cleanses; they don't really work for me.
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Writing for children hadn't occurred to me when I was younger, but nine years of teaching in the upper elementary grades had given me a deep appreciation of the gifts and graces that are specific to individuals with 10 or 11 years of experience as human beings.
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As an actor, I've always said, half the audience is going to love you, half is going to hate you so just live with it. It's easier that way.
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Women empowerment does not mean you create complex among men. Then it will take 20 more years to empower men. It is all about evolving as a soul, as a human being. It does not mean that you become a sexist.
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In England we have come to rely upon a comfortable time-lag of fifty years or a century intervening between the perception that something ought to be done and a serious attempt to do it.
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We need to change America's image round the world. America has lost some lustre in terms of how folks aspire to be like us.
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The happy story right now is the full page in Vanity Fair, which gives me a great deal of exposure.
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Improv as an actor makes you present in the moment. You listen, you're attentive. You're not acting so much as reacting, which is what you're doing in life all the time.
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Applause is the spur of noble minds, the end and aim of weak ones.
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In the finance world, we used to spend all of our time looking backwards, reporting on what happened. Can I book it? What are the numbers? Now it's about looking into the future. It's about planning and integration. The role of finance is now that of a partner in the business.
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I am joining the hundreds of thousands who shall be marching in the Virtual March on Washington to Stop Global Warming in order to demonstrate the concern that we all hold for the future of our planet and all the living things - flora, fauna, human and animal - that exist upon it.
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Justice is like a train that is nearly always late.
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There are 3.5 million Americans in Puerto Rico. So, just like we're quick to go everywhere else and help, we expect that same of America for Puerto Rico. These are U.S. citizens!
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Nobody climbs mountains for scientific reasons. Science is used to raise money for the expeditions, but you really climb for the hell of it.
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To some extent, the act of creation and the act of selling are hard to disentangle. If you create something, whether it's a painting or a company, I think if you care about it, you have some obligation to go out and tell people about it.
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Those who said I'm not an out-and-out goal-scorer are probably right. I always feel I could score more.
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If you don't drive your business, you will be driven out of business.
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Fighting is easy to understand. You just hit the guy as hard as you can.
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Kennaston no longer thought of himself as a man of flesh-and-blood moving about a world of his compeers. Or, at least, that especial aspect of his existence was to him no longer a phase of any particular importance.
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Obsess about customers, not competitors.
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Well, I didn't really grow up playing or listening to metal, like many of the kids I went to school with. I only got into it in my late teens, so when Marilyn Manson formed, it was at a time when I was still excited about approaching music from that angle.
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And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.
