Tina Turner Quotes
Quotes to Explore
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Remember that the most valuable antiques are dear old friends.
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The artist is the medium between his fantasies and the rest of the world.
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I have to remember for every kid saying something awful, there's a kid saying something great.
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Put your mind on the gospel. And remember - there's one God for all.
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I just want people to remember me like I remember Buster Keaton. When they talk about Buster Keaton or Gene Kelly, people say, 'Ah yes, they good.' Maybe one day, they remember Jackie Chan that way.
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I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.
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Remember to do the things you enjoy away from swimming, regularly.
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Gucci Mane is my favorite artist.
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A book tour is not a good opportunity to let your mind wander. You have to pay attention, remember salespeople's and interviewers' names, succinctly summarize your book in a 'selling' way, and so on.
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I grew up in Haifa and enjoyed the wonderful beaches and Mount Carmel that rolls into the Mediterranean Sea. From my early days at home, I remember a strong encouragement to study.
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My family is from the South, and I can remember all those ladies I grew up with, like my great-aunts, who had handkerchiefs. There's something sweet about them.
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I understand that sometimes when you're young it's difficult to remember the difference between real life and what is part of fantasy.
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My first church had seven members in it, and I have to remember, the rent was $225 a month and I worked for Union Carbide and took the check I made from work to pay for the rent to keep the church open.
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Tell me, I forget, show me, I remember, involve me, I understand.
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I don't really remember much about the '60s at all. You know, 1970 is the first year I remember pretty well.
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I remember certain lines and whose they are.
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In 'There's Something About Mary' and 'Dumb & Dumber,' I ended up improvising quite a bit of my scenes, and later I didn't even remember what I'd said because I just winged it. When I went and saw the movie, I was as stunned as everyone else was.
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The genuine artist is never 'true to life.' He sees what is real, but not as we are normally aware of it. We do not go storming through life like actors in a play. Art is never real life.
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I can remember being at Sandringham, for the first time, at Christmas. And I was worried what to give the Queen as her Christmas present. I was thinking, 'Gosh, what should I give her?'. I thought, 'I'll make her something.' Which could have gone horribly wrong. But I decided to make my granny's recipe of chutney.
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Nothing, indeed, is more dangerous to the young artist than any conception of ideal beauty: he is constantly led by it either into weak prettiness or lifeless abstraction: whereas to touch the ideal at all you must not strip it of vitality. You must find it in life and re-create it in art.
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I live in Chicago but own some property up in Wisconsin.
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The job in Wisconsin was the first genuine offer of an academic job in a university which I received.
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I remember music first artists second.
