Claude Debussy Quotes
The attraction of the virtuoso for the public is very like that of the circus for the crowd. There is always the hope that something dangerous may happen.
Quotes to Explore
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I always knew I had a voice and I've always known I could sing, but I was too shy to let it come out. I think it's the hardest thing to do, to sing in front of people. When I finally let go and did it, I realized it's what I'm most talented at and what I love to do the most.
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I happen to miss the Constitution; I thought it was a good document.
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When your conscience says law is immoral, don't follow it.
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A pitcher is only as good as his legs.
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Some people say I chastise the Republican Party too much.
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I didn't have a long-term plan or goal. If there would have been a road map showing me the way to my dreams becoming reality, I might have given it a second thought.
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When you look at the results that Newt Gingrich got when he was speaker, he got results for the American people.
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Life is made up of marble and mud.
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All my life I had feared to-morrow, until I decided to have faith and to live to-day in courage.
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Istanbul is a vast place. There are very conservative neighbourhoods, there are places that are upper class, Westernised, consuming Western culture.
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Can a moment of madness make up for an age of consent?
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The television business is based on managed dissatisfaction. You're watching a great television show you're really wrapped up in? You might get 50 minutes of watching a week and then 18,000 minutes of waiting until the next episode comes along.
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I would never share my daughter's wardrobe. Every five years you have to go through your wardrobe and say, 'This is possible, this is not possible.' But you have to be happy with yourself.
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I have moved to a smaller house in Paris, and I don't fancy having so much staff now.
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With the 'Old Kingdom' trilogy, at least half the readers were older adults rather than younger adults. I wrote them for myself with no particular audience in mind.
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Because art as a pursuit, as a concept, as an ideal, constantly elevates one above the pragmatic, one is inclined to discuss art in heightened terminologies. For me, it is just what I do all day long.
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Well, an actor is an actor is actor, to paraphrase someone or other and the opportunity to work, to have a steady engagement, certainly seemed like an appealing concept to me.
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I always look to play flawed characters. I'm not very interested in playing somebody that's just, you know, the very nice one or the attractive one, or whatever, which a lot of female parts can just be written that way.
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The idea of determinism combined with complete human responsibility struck me as very hard to reconcile with an idea of justice, let alone mercy.
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I hope to be remembered as a very good jockey.
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I never even held a guitar until I was 23 and living in California, but then loved it. I'm really not an accomplished instrumentalist. Maybe that has something to do with why I write and sing.
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The happy ending is hardly important, though we may be glad it's there. The real joy is knowing that if you felt the trouble in the story, your kingdom isn't dead.
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Still, the film nearly didn't happen a number of times. There were great arguments with United Artists about how to reduce the cost because they were nothing if not conscious of the price of the film.
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The attraction of the virtuoso for the public is very like that of the circus for the crowd. There is always the hope that something dangerous may happen.
