Clyfford Still Quotes
As for 'taste' as a criterion of painting I find that it is most frequently applied to work that is essentially insensitive, brutal or vulgar beyond question. Could it now be a term with political undertones to seduce, or cover profounder motives of exploitation? I propose it be kept to the wine cellar. There it deceives no one but him who over-indulges.
Quotes to Explore
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The intricacies, the problems, the trials and tribulations in relationships inspire me to give words to people's journeys.
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I worked on 'Lonesome Dove' three weeks all together. When I heard they were doing it, I wanted to be involved since I'd read the book.
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At one level, an award is an endorsement, a confirmation, but I always find myself looking askance at awards and good reviews, as though another Garry Disher had earned them.
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The thing about influence is that any composer worth anything will give you the same names.
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In the long winter evenings he talked to Ma about the Western country. In the West the land was level, and there were no trees. The grass grew thick and high.
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When I was a kid, all I ever wanted was to be famous.
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Industry is extremely slow in readjusting itself to the manufacture of modern consumer goods.
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At the Museum of Roman Art, the logic of the forms is very much modern. But in spite of that, the idea of the construction could be related to a historical time.
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And there is no trade or employment but the young man following it may become a hero.
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You can't take yourself too seriously; it's important to poke fun at yourself. Once in a while, it is great to show your inadequacies, too.
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I almost laughed about the Machiavellian plans of the presidents of the United States.
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When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
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I played a lot of squash for a lot of years.
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I remember looking back on a photo of me... wearing a suit that was, like, two sizes too big for me. I think a lot of guys don't know what fits.
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Common man is always benefited by a rate cut.
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My main hope is eventually, in modern education field, introduce education about warm-heartedness, not based on religion, but based on common experience and a common sort of sense, and then scientific finding.
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When I did '1,2,3,4' on 'Sesame Street' they'd rewritten the song and made it about counting. At first, I balked. I was like, 'Counting to four? That's where we're going with this?' Then they sent me appearances by other people like James Blunt doing 'You're Beautiful' as 'My Triangle.'
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I've heard this before from people: early 20s kind of screws with your head a little bit because you're transitioning into adulthood and actually becoming an adult with responsibilities and paying bills. So all of a sudden, it's like you're responsible now.
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Jazz is a hard music, and you have to really work hard and also have fun performing; that's the most important thing.
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Adults are interested if you don't play down to the little 2 or 3 year olds or talk down. I don't believe in talking down to children. I don't believe in talking down to any certain segment. I like to kind of just talk in a general way to the audience. Children are always reaching.
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Great companies are built in the office, with hard work put in by a team.
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Some things happen by accident - embrace them.
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Great guitar players are a dime a dozen. It is sometimes your very limitations as players that set you apart from the crowd.
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As for 'taste' as a criterion of painting I find that it is most frequently applied to work that is essentially insensitive, brutal or vulgar beyond question. Could it now be a term with political undertones to seduce, or cover profounder motives of exploitation? I propose it be kept to the wine cellar. There it deceives no one but him who over-indulges.
