Coco Rocha Quotes
I've always been the type that, every few months, I'm like, 'Let's change the haircut one more time.'
Quotes to Explore
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Funny is as funny does, and funny puts on a walrus mask and slowly gyrates in a mall food court. I laugh at absurdity hardest, then stories, then observations, then bearded men on roller skates.
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I've been accused of having very long ingredient lists, and I guess there's some truth in that.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end. I sang 'I Say a Little Prayer.' It's a tough song to sing but they gave me the confidence to go for it and belt it out.
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Derivatives are financial weapons of mass destruction.
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Cartooning was a good fit for me. And yet now, years later, I almost never think about it.
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As an actor, I've always said, half the audience is going to love you, half is going to hate you so just live with it. It's easier that way.
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The balance of private good and general welfare is at the bottom of civilized morals; but the morals of the Heroic Age are founded on individuality, and on nothing else.
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It took me a long time to film the plastic bag, and then I had to get the cut of the scene right. But if you find it as beautiful as the character does, then suddenly it becomes a different movie, and so did he as a character.
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When I put magic into a book - whether it's a wizard or a crusty old werewolf - I'm asking a reader to swallow a huge leap that is counter to everything he or she knows. An extra big helping of reality makes that leap go down a lot easier.
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People make mistakes. They say stupid things.
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I never personally complained; everybody else complained for me.
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Environmental concern is a phenomena that tends to rise in a nation after a certain level of wealth.
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Eighty-five per cent of the crowd is going to fall in love with me - they're going to feel it, wow. But fifteen per cent are going to think, 'This guy is obnoxious.' I spend enormous time with them - every negative review of 'Crush It!' on Amazon has a response from me - and I can probably bring back ten of the fifteen.
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Growing up in Kentucky, I used to hang out with four running buddies as a kid - 6, 10, and 11 years old. Two of them would later come out, and so 50 percent of my friends as a kid were gay.
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My first big influences were more hip-hop based - people like DJ Shadow and Four Tet.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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Thank God I have the seeing eye, that is to say, as I lie in bed I can walk step by step on the fells and rough land seeing every stone and flower and patch of bog and cotton pass where my old legs will never take me again.
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I didn't go into the theater to be a producer, I went into the theater to be a director.
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I'm not an abstract artist; I leave that to others. To me, abstract art ended with Kazimir Malevich's 'Black Square.' To continue it is senseless.
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I think that I could be an example to young people, and they know that dreams come true.
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As a child in the early 1980s, I tended to talk with things in my mouth - food, dentist's tubes, balloons that would fly away, whatever - and if no one else was around, I'd talk anyway.
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I was just lucky I lived in this time of mass-market paperbacks.
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I can remember the first time I tried to drive into the garage of the world headquarters of Ford in a Camry. It was almost like they wouldn't let me in. They said, 'Why do you want to do that?' I said, 'Because we are going to make the best cars in the world, and we need to know everything about the competitor's car.'
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I've always been the type that, every few months, I'm like, 'Let's change the haircut one more time.'
