Coco Rocha Quotes
When I was asked to be a part of 'The Face,' I was like, 'This is exactly what I do without cameras.' I didn't find it any different than what I usually do for young girls - giving runway tips or just explaining how the whole industry works - but now you have, like, 19 cameras on you, documenting you while you scratch your nose.
Quotes to Explore
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People hear the examples of kids who work when they're young, have bad experiences, and then have a rough life after that, but a lot of it is just about the people around you.
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A long life in journalism convinced me many presidents ago that there should be a large air space between a journalist and the head of a state.
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Think and grow rich.
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I never thought, when I was a kid, that there was a sense of competition or animosity towards poor blacks. I just thought there was a recognition that they lived differently - they primarily lived on the other side of town. And we're both poor, but that's kind of it. There wasn't much explicit statement of kinship or of the lack of kinship.
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Faith is the bird that feels the light when the dawn is still dark.
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I couldn't follow nobody's rules.
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I think the market should reward banks that have been transparent in recognising their problems. I think the tendency of banks to hide the problem assets over a period of three or four years should not be allowed.
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I don't know how to make Harper and Alloy want me, not just my name.
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Of all the labels and tags and epithets people have forced upon me, there's one I don't dislike. I get called the 'enfant terrible.' In every article, it's always there. So I have to give that a meaning.
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I don't take pleasure in anyone's demise, really.
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I don't have any dream role. I give my 100% to every character I play, and when the film clicks, it automatically becomes a dream role.
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I made a very slatternly mother, notably unkeen on housework, unaware that homes need to be cleaned now and then, and too often to be found with a cigarette in one hand and a drink in the other.
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I came up with a story and I wrote it.
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A friend of mine encouraged me to try rapping, so I started experimenting with it, writing verses, seeing if I could fit an extra word or syllable into each line without tripping myself up.
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I've already lived one full life, and so now I'm about to endeavor to see what else the good Lord has in store for me, and I'm wide open.
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The truth is, I'm proud of the life I've lived so far, and though I've made my share of mistakes, I have no regrets.
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The strips about the military do seem to provoke moving and thoughtful responses. It's nice when the strip resonates, but more importantly, I need to know when I'm getting something wrong. The last thing I want to do is contribute to the suffering that wounded warriors already endure.
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I really do try not to emote. I don't like seeing it on documentaries - it seems a bit unprofessional. I also need to be human being and be a kind of sympathetic presence for the contributors I'm with, so there' a line you have to walk.
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Sadly, I'm one of those people who emotionally puts things off and then gets caught very blindsided at the end.
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Whether or not I would be able to be an actor without the music I'm not sure, but I feel pretty lucky to do it.
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There are some people who watch NASCAR for the highly skilled driving - but most people watch it for the crashes.
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It's a very rich brew that's in your psyche by the time you're in your 60s, and I think that's rather interesting. It makes you feel you've lived a very long life; it's like going on holiday to three different cities rather than spending two weeks in Lisbon. You look back on the holiday, and you seem to have been away forever.
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When I was asked to be a part of 'The Face,' I was like, 'This is exactly what I do without cameras.' I didn't find it any different than what I usually do for young girls - giving runway tips or just explaining how the whole industry works - but now you have, like, 19 cameras on you, documenting you while you scratch your nose.
