Joe Jonas Quotes
Quotes to Explore
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I'd love to work with David Lynch. I'm such a big fan. He's a genius.
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My mom was Jewish, so some would call me Jewish.
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I was raised Catholic, and my grandmother taught me to stay. As a teenager, I thought if you went on a date, you should stay for a couple of years. I didn't realize that if he wasn't your cup of tea, you got to leave.
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I choose projects that resonate with me on some personal level and projects that I'm afraid to do. If I'm afraid to do them, then I usually say yes, because it means that I'm not ready to go there and deal with certain aspects of the script. And that means that I need to do it, because the things that scare you only make you better and stronger.
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I had been very focused on the issue of education disparities in our country, and literally, by the time kids are just nine years old, in low-income communities, they're already three or four grade levels behind nine-year-olds in high-income communities.
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England was the first true colonial power to use its dominion over a large part of Africa, the Middle East, Asia, Australia, North America, and many Caribbean islands, in the first half of the 20th century.
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The first person who showed me that I could be a maker of music was one of my best friends. It's like, you can't see yourself doing something until you see somebody else doing it. Other people were encouraging me singing, but this was the first time that I could see myself writing songs and playing guitar.
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We have lost a lot of ground to the extremists in the Middle East.
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A lot of American playwrights seem to have a career as a playwright. I don't consider it a career at all.
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Authoritarianism, an unrealistic occidental imagination - these issues will never be settled. Turkey will continue to take Europe as a model; it will continue to pursue its search for democracy.
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Just as it got easier to use email, it will be easier to use Bitcoin as people invest in it and become more familiar with it.
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For years Don Imus was just – boy, he was merciless in his criticism of me. Maybe it was justified, but that didn't mean it didn't hurt.
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I had just had small parts in other films, and I'd worked with a lot of directors in TV.
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'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman.
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But when I direct I become possessed, a possession I've never quite understood.
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No one could be more happy than a man who has never known affliction.
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People tend to dwell more on negative things than on good things. So the mind then becomes obsessed with negative things, with judgments, guilt and anxiety produced by thoughts about the future and so on.
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I grew up on the stage, and there's no two ways about it: you only get one chance to do your bit.
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I'm not gonna do the same, tired, standard 'I was born in a log cabin...' kind of book. There's so much more I want to do.
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A show can be artistically successful; a show can be financially successful; a show can be successful by the transformative experience the audience is having; a show can be successful from the point of view of what is experienced by the cast and the company on a daily basis.
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In a movie you have all these logistical problems; all these practical problems. But you're also going to have people come who can do things that you can't do, and you get to direct their talents.
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The greatly anticipated 2009 Masters was like going to a Broadway hit and finding out that the star, Sir Tiger Woods, was off that night, and his replacement was the cab driver who dropped you off at the theater.
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Quitting law school was the most difficult decision of my life. But I felt this great relief that this is my life and I can do what I want with it.
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Whether I'm going out for the night, or during the day, I love putting on something that pops and makes you feel comfortable.
