Marilyn Monroe Quotes
What's the good of drawing in the next breath if all you do is let it out and draw in another?
Quotes to Explore
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Knowledge is knowing that we cannot know.
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Kids love to look at pictures of themselves.
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Dr. Phil is hiding something. Otherwise, why wouldn't he use his last name?
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I think there's something very dark in the South African psyche. I think we live a lot of the time in a state of a very low-grade civil war; the levels of violence in South Africa are extremely high. In a way, the civil war that never happened is being played out in a covert way, so we live with a lot of very ugly things.
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Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.
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I've really been writing a lot of country songs. I used to get criticized for doing a 'Bump & Grind,' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.
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Television is democracy at its ugliest.
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In China, we don't know about the swimming pool game, but we know about Marco Polo.
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People deal with models like they are children. They think they can pull one over on you. It's actually funny. I'm always like, I'm about to pull something on you, and you're so focused on thinking I'm dumb, you're not even going to know.
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It has seemed, at times, like American carmakers think car buyers are so blindly loyal that they will keep coming back - despite the sticker shock - for crummy cars that guzzle gas, fall apart too soon, and cost too much to repair.
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I do strongly identify with being Jewish. I was raised Orthodox and had a childhood complicated by the fact that my father was deeply religious and my mother was not.
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I recently went to New York for the first time, and honey, I'm in love with that place. I'm obsessed with its sausages.
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I have yet to see a drama that puts forward women who are successful and also have a family... they are nearly always seen as victims.
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I recognize myself to be an intensely naive person. Most novelists are, despite frequent pretensions to deep socio-political insight.
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The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
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Whatever you think of Trump, I think most people would agree he is impulsive, and we certainly have an impulsive leader in North Korea in Kim Jong-un. That's an unholy combination.
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When I start a picture, I always have a script, but I change it every day. I put in what occurs to me that day out of my imagination. You start on a voyage; you know where you will end up but not what will occur along the way. You want to be surprised.
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The constitution is itself the product of the freedom struggle.
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Long for me as I for you, forgetting, what will be inevitable, the long black aftermath of pain.
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Bob Balaban is so perfect that the first movie I did with him, I couldn't talk to him because I was so intimidated by him.
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Nothing lasts.
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You can write ten versions of a scene, and then, on the day, discover that something in the original scene worked. It's hard on writers. Hard on actors, hard on editors, hard on me, hard on the producers, who require patience and confidence. But I can't get to the end without going through this process.
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What's the good of drawing in the next breath if all you do is let it out and draw in another?
