Marilynne Robinson Quotes
When I read 'Paradise Lost,' or 'Richard III,' it is clear that Milton and Shakespeare took real pleasure and satisfaction from creating these epitomes of evil.

Quotes to Explore
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A real book is not one that we read, but one that reads us.
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That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
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Real luxury is customization.
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We take so many of our freedoms for granted nowadays - I can travel where I like, I can have a baby when I like, I can do any job I want - but I do think chivalry has been lost a little bit.
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I've been blessed with a wonderful husband, two caring daughters and sons-in-law, and four really special grandchildren. They have each enhanced my life.
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No one who is in this world will deny that evils exist. What, then, do we say? That evil is not a living and animated substance, but a condition of the soul which is opposed to virtue and which springs up In the slothful because of their falling away from good.
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People realised this is real pollution; it is not fog. Now everyone has to face the data and come out of their comfort zone.
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When I met Eric Clapton, I was a very young girl. I was 20 years old. And we were linked for a very short time, and then we became friends. And then we lost touch, which I'm really sorry about.
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Real love is a permanently self-enlarging experience.
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I have lost the freedom of not having an opinion.
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It's real nice and exciting for me to break the records, but it's more exciting for me to be on a winning team.
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I played a character in 'Ransom' who was as evil as they come.
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It's critical that we use a very dark brush to paint evil. When you bring the light into that darkness as characterized in John 1, that light is very vivid. When it dispels the darkness, we see the brilliance that's there.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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I love to personalize things. I love to make things my own. I like to name everything - from cars to iPhones to the socks I just lost.
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I've got a clear line between work and real life.
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It's successful, middle-class Arab men and women, professionals with seemingly happy family lives, who are prepared to go to paradise for a greater cause. That's terrifying.
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It's weird how people who are the least close to me or who've never even met me purport to be experts on the real me; and then, sadly, there are those who could be in touch with me but prefer to gossip with strangers about me instead.
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Dictators are ludicrous characters, and, you know, in my career and in my life, I've always enjoyed sort of inhabiting these ludicrous, larger-than-life characters that somehow exist in the real world.
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I happen to take photographs, and they happen to be used for a lot of things, but they're not really made to order. They're paid for, but they're not made for order. I've never really done real commercial work.
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If sympathy is all that human beings need, then the Cross of Christ is an absurdity and there is absolutely no need for it. What the world needs is not "a little bit of love," but major surgery. If you think you are helping lost people with your sympathy and understanding, you are a traitor to Jesus Christ. You must have a right-standing relationship with Him yourself, and pour your life out in helping others in His way— not in a human way that ignores God.
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My country is in the grips of a major economic crisis. This is causing dramatic consequences for the very existence of Polish families. A permanent economic crisis in Poland may also have serious repercussions for Europe. Thus, Poland ought to be helped and deserves help.
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Yes, I am positive that one of the great curatives of our evils, our maladies, social, moral, and intellectual, would be a return to the soil, a rehabilitation of the work of the fields.
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When I read 'Paradise Lost,' or 'Richard III,' it is clear that Milton and Shakespeare took real pleasure and satisfaction from creating these epitomes of evil.