Chris Roberson Quotes
Quotes to Explore
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Unfortunately, there is still much to mine in this world and explore creatively.
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I'm a night owl for sure. I was born at 1 A.M., and that's the excuse I use.
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I firmly believe that any man's finest hour, the greatest fulfillment of all that he holds dear, is that moment when he has worked his heart out in a good cause and lies exhausted on the field of battle - victorious.
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When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
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To me, a critic is some loser who has no idea... someone with an opinion. We all have opinions. No offense, but what makes them dictate what is cool and what is not.
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I believe that I'm a hillbilly in my values and in my attitudes, and I don't want to lose that. I think it's possible to maintain a big chunk of that identity so long as you're self-reflective and meaningful about it.
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I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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There is nothing more boring than doing singing exercises.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
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Are you used to entertaining everyone with your tales of drama and conflict? Do you get attention and feel important every time you complain about how awful this man is? Stop settling for attention for the negative stuff in your life.
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I don't see myself as a diva at all.
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I used to get a shiver if I thought about holding balloons, because I was scared of floating away.
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Meeting Oprah Winfrey, I cried like a baby. Meeting Steven Spielberg, I cried like a baby. Meeting Denzel Washington, I gushed like a crazy woman. If I don't get excited or star struck by someone I've been dying to meet, it's time to retire.
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We play a hip-hop song and suddenly 25 people on the left jump up and put their hands in the air; then you play Lost Cause and they're like, I don't know about this one.
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I've always wanted to be a very commercial director, or I had dreams of making these movies into blockbusters. And with each movie, they tell me it's not that way.
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I have always liked a challenge.
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I love stand-up, but the process of writing is a little more lonely. I want to keep doing both, though.
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So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit.
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I think visually... so, even when I'm writing a play, I'm envisioning it.
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My photography changed from being more documentary-like to arranging things more, and that came into being partly because I started doing music videos, and I incorporated some things from the music videos into my photography again, by arranging things more.
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The dissonance that I felt daily flew in the face of what Silicon Valley says about itself: that it is a meritocracy, that it values intelligence and creativity, that everyone has a fair shot if they just work hard enough. This was true only if you were technical, and even that may not always be enough: in the age of the social network, who you know and who your friends were was becoming increasingly important.
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I'm doing a couple books at Dynamite. I'm writing Doc Savage over there.
