Broken Social Scene Quotes
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I consider being a performer work. I come from a theater family; I've been an actor all my life. I started acting when I was a kid, and I've earned a living as an artist all my life. It's my job in the sense that it's everything I am, the only thing I know how to do. I literally do not have qualifications to do anything else on this planet. Seriously, it's scary. [But] I don't consider it a job [because] it's my religion - it's my faith, it's my family, it's everything to me.
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We're going to talk about the big things that matter, which are the little things, really. For me, Stars has always had one overarching theme, which is, we're all bastards, but God loves us anyway, whatever God means to you.
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I really love traveling, I love playing.
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People don't get that being a musician is a job, they don't get what the work takes. And that's just because you're living a dream, so everyone who's observing it from the outside can't really empathize with how much work it is because you're fortunate. And it's a kind of competition with yourself to stay away from all of the excess, whether it's booze or drugs or just the late nights with the addiction to watching the sun rise in some weird part of the world. But when you meet the other musicians, there's generally a spiritual exhaustion that you connect with.
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I think if you listen to our records, they come at different points in your life. When people say to me that Stars records have themes, I think what they mean is we write songs - or try to write songs - that are timeless. We try to write songs that catch you at the right time in your life, and that you can hold on to. We write kitchen sink songs. If you're doing the dishes or you're driving to your mom's funeral, or if you're getting over having done MDMA and you feel sad, you can listen to Stars because we're not going to demand of you that you be cool.
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Getting up on stage and being able to make people feel like their lives are slightly more special than they realize is my only talent, so that's what I use. I use my talent.
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I think people are naturally good, I see it every day. Look at this restaurant. No one's causing anybody any trouble in here. We're all sitting, respecting each other's space, we're keeping our voices down, we're saying "please" and "thank you" - those are acts of generosity that we commit on a second by second basis that we don't give ourselves enough credit for. There's a lot of kindness in this world, we're just such vain creatures; our vanity can be used against us so easily. We're like dogs, hairless dogs.
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The nature of making music and making art, what motivates me is that it's interesting. It's interesting to listen, to really listen to other people's point-of-view. Take in their work. Listen to the way they sing. Listen to the way they write lyrics. What they are trying to express.
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I'm a chick for sure.
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I have an identity crisis which is not resolved because I'm a dual citizen. My whole family is American, and I was born in India but I was raised in Canada.
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I am really inspired by writers, and weirdly - respect music journalists, which I think makes me the exception amongst most musicians. I think it's a craft. I think it's been really neglected - sadly. I think about the days of the great legendary rock critics. Who's going to become that when magazines and newspapers don't pay anyone properly or don't seem to respect the history or research that is required?
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I always felt like I had to leave Canada, which I think is a common perspective - feeling as if you have to leave because otherwise you'll be too soft, and that objective reality exists in America. And I'm starting to feel like that doesn't have to be the case.
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We do have to remain true to the idea of honesty within what you want to do.
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As an artist, expectations are basically your enemy. If you're truly making something to make it, then you're not thinking about anything else except what you're making.
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The things that I've seen where people are trying to change the definition of what a band has to be, those are the things that end up being inspiring.
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I try not to focus on the gender issue too much but I think you have to acknowledge it in order for it to go away.
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I don't really write journals and stuff and then adapt them to music, it's completely within the form of the song. My great obsession and basically the bane of my existence is caring probably too much about every word, but it's too late to change my career path.
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I love to read about music and about art, but I don't try and take things about mythology or guidelines as to how I'm to behave as an artist. It's the realm of intellectual debate. Actually, more and more my direction is trying to get further away from being self-conscious of what the parameters are of the mainstream, where it intersects with the underground.
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Oftentimes the most produced and synth-tastic songs are the ones that end up sounding the best acoustic.
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I am 36 years old, I can't change. I have tried, trust me, but I can't. It's nice to get over yourself and just do it.
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When I happen to read interviews where people are such pros and they come out looking so good, it comes off as a little smug or something.
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I think a sexual energy is a positive energy.
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Generally I try to read anything but indie rock journalism or anything about music at all, especially in the summer.
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You feel like you're trying to show off your cool by mentioning the five bands that you know are great and the five books that will reflect well on you. I can't do it. I should take the time to but I don't want to take the time to do that.