Broken Social Scene Quotes
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Everybody has their own ways of wanting to do things.
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I had never really written songs for anyone before. With [Broken] Social Scene, you're writing songs for others and your passing them around and exchanging things, but for a man who has the history that Andy Kim had, and has lived the life that he's had, you see such a youthful aspect of how he just wanted to create something again.
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Obviously, everyone loves someone who appreciates you and puts you on a pedestal.
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It's very hard for me to say "Do I have favorite?" because I find that each song represents a different sounds different emotions in Andy's [Kim] life. Particularly "Sister OK", 'cos that started everything.
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We were a duo on tour, but it was his music and his songs. I was kind of his Vanna White/singing partner/torch-song singer. I was the straight man to his funny man.
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There's an interesting story around that ["Heaven Without a Gun"], because the girl I was dating at the time got into a bike accident and couldn't make it into the studio, and the gentleman Dave Hamlin who worked on this record along with Ohad sort of took it, rearranged it. Dave went and sonically changed it and changed the keys so that Andy could sing it better. All these pieces came together that suddenly displayed that the song was meant for Andy [Kim] to sing. And he always said, "I'll never understand it, but I'll sing it with all my heart."
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I much prefer to write everything by myself. It's kind of difficult. It's like getting undressed in a really bright light.
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Certain audiences get the double meaning and some of the references and ironies, but there's definitely been shows where I feel like I'm not doing it well enough for it to come across as anything other than "oh, she's hot and she's dancing."
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What inspires me is anxiety and the quest to try to change things in my life. ...I got addicted to endings and beginnings and to the idea of always moving around. ...Obviously, whenever you're going through something that's the best time to create, if you're going through something amazing, or horrible, or nothing at all you should be creating. Unfortunately the songwriters of today generally torture themselves to make sure they're writing good songs and take it a little too seriously.
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I think if I were living in a utopian world, then it wouldn't be political commentary; it would be about daffodils.
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Your obstacles define your achievements, and without those obstacles, you're just another bland nothing.
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People are terrible. They do terrible things to each other, they hurt each other, they lie, they're vain, they're shallow, they're violent ... but they're all we have.
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For all of my life, I've had this one song in my head, and I'm still trying to write it. I'm still trying to get that song out. I'm getting closer, every record I get a little bit closer to saying it the way I want to say it.
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I think you have to make concessions in life. One of the most frustrating things about getting older is [you realize] the reason you have a plan is so you can see everything that it isn't. The plan never works. Something happens and you adjust to it and you adapt to it and you accept it and you keep going, but that's not the plan.
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That's the main work that I've done in my life - really wanting to get past that gender trap where there's a certain nudity in poetry. It's not about showing my soul, it's about observations.
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We haven't really changed, we've just gotten better at executing what we've always been trying to do. We're not really a band that has undergone huge stylistic decisions to change, we're just trying to follow the song. More and more, we let the song lead us - we don't try and put the song into a structure of our taste or our fashion.
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I wanted to make a very cohesive-sounding album. Anyone who has listened to me and brought me into their living rooms and their bedrooms - I am making this for them.
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What would I say about "Heaven Without a Gun"? For me, to have this man, and our friendship [ with Andy Kim] grew really slowly and very consistently throughout the years before we decided to get into a studio together, I wasn't sure if he wanted to do songs that were pre-written or what. We didn't know what we were getting into.
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We became a band that was kind of a big band, kind of a band that quite uncool people listen to, people a lot like me. I've realized that's a much more beautiful fate than the plan I had.
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The writing process is very much like being in a dark tunnel, and you don't really know what you will end up with until you have created it.
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It bothers me that no one has the patience to deal with someone who is just sad.
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Acknowledging that we lose is the overarching theme in everything in Stars. To me, that's what punk means. Stars is a punk band because we acknowledge loss. We're not trying to win. We're not trying to project victory. You win alone. I'm not interested in singing for the one winner in the room; I'm interested in singing for all of the losers in the room.
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That's the great thing about being in a band: it's a gang for people who are too wimpy to fight. You can create a gang and have an identity and fight for something and stand up for something just by making pop songs. They're my gang members and gang members are for life, and if you try and leave, we execute you. That's the way it goes. A simple bang, back of the head, into the river, and we keep moving on.
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There are lots of people in the world whose existence doesn't revolve around American culture.