Fleetwood Mac Quotes
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Your graciousness is what carries you. It isn't how old you are, how young you are, how beautiful you are, or how short your skirt is. What it is, is what comes out of your heart. If you are gracious, you have won the game.
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When you grow up as a girl, the world tells you the things that you are supposed to be: emotional, loving, beautiful, wanted. And then when you are those things, the world tells you they are inferior: illogical, weak, vain, empty.
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I dont separate my work with the band from this solo project-Im sure the group could have recorded any of these, and they would have if the Fleetwood Mac project had come up at this time. I dont have any finished songs lying around.
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I was actually qualified to be an art teacher, but I didn't want to teach.
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I'm rather old-fashioned about this video business. It's all relatively new. We really don't do videos, Fleetwood Mac. We've only done two.
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....the sea changes color, but the sea does not change.
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The old Fleetwood Mac was much better; they did some beautiful and, to my mind, very authentic blues. Chicken Shack did pretty well in Europe, but after I left, it was over.
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It was my 16th birthday-my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do-write songs and sing them to people. Everything on this record is what I really wanted to say, and I'm back to being the poet I always thought I was.
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Don't Listen To Her, Listen Through Her.
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I haven't lost my blues roots.
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When I thought I was dying in rehab in 1994, 'I Won't back Down' was my mantra. It lifted my up out of the pain and made me fight through it. 'The Waiting'... summed up my life. We can't stand waiting, we rock 'n' roll men and women. Tom Petty's songs are like a great book that you revisit when you need help. His songs make me better.
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Love is a word that some entertain. If you find it you have won the game.
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I bought a house in England in 1990, shortly after my father died, hoping to come home to England and spend time with my family.
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My life is a testament to believing that if you want something you can make it happen.
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When you're in the same band as somebody, you're seeing them almost more than 24 hours a day. You start to see an awful lot of the bad side 'cause touring is no easy thing.
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I suffered from some delusion that I wanted to be an English country girl, a Sloane Ranger donning the old Hunter boots and Barbour jacket to slosh around in mud with the Range Rover.
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That creates the magic, and that's the wonderment of the musical process and how precious that is.
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Even in my really bad, drugged-out days, I didn't go away. I still toured, still did interviews. I never gave up the fight. That's why I'm who I am today, because I didn't leave. And I think I made the right choice.
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By the time I was five, I was a little diva.
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'Mirage' was an attempt to get back into the flow that 'Rumours' had. But we missed a vital ingredient. That was the passion.
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I watched Janis one time - we opened for her - and that's the only time I ever saw her. We opened for Jimi Hendrix. I got to stand on the side of the stage and watch him for two hours and then he died. But I got the essence before they left.
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I keep all my poems in my journals and lock them away. They are the start of everything.
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Eventually, I had to figure out what the hell I was going to do with my life. I needed to find my way back to Fleetwood Mac.
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I have my own life. And I am stronger than you know.