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I wasn't thriving socially, so I stayed in my room and played guitar all the time.
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You do learn things and one of them is that happiness has nothing to do with validation from other people, the important thing is being happy with yourself ... finding something that is important to you and sticking with it no matter what anyone says. The truth is you've got to really be tough because there are all kinds of forces that are always trying to get you to do things their way ... trying to tell you that you are throwing your life away if you don't follow their advice.
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I've never considered musical equipment very sacred.
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Develop that individuality by working as hard as you can at what you love.
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Guilt is cancer. Guilt will confine you, torture you, destroy you as an artist. It's a black wall. It's a thief.
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I'm really interested in smells. I think I'd like to own a perfumery someday.
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I had a Super Grover doll growing up. Super Grover was very clumsy, he wasn't very good-looking. But in his own way he'd always save the day.
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I'm a much happier guy than a lot of people think I am.
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We were just amazed we were putting out a record. We were, and are, still learning. But we've never cared much for professionalism as long as the energy was there. Like our live shows: We're out of tune and use a lot of feedback. That's not on purpose or because we don't care, we're just musically and rhythmically retarded and we play so hard that we can't tune our guitars fast enough.
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I started being really proud of the fact that I was gay even though I wasn't.
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We asserted ourselves as a music community, and showed legislators that music is positive. Especially if you've sold 300 million records worldwide and pay taxes.
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For the first seven years of my life, I listened to nothing but The Beatles.
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Same thing happened in the punk movement in the late 70's...a punk band would start, play one gig, and get signed to a major label right away, 'cause it was a trend. That just shows there are a lot of old school dinosaurs in the record industry who need to be weeded out.
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After 10 years, I have been touring for 20, playing basically the same type of music, a four-piece or three-piece type of music with loud, crashing drums and screaming vocals. It gets to the point where you're looking for something new, and you don't want to do something that's way too left-field, for fear that it might seem contrived.
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Yeah, I was run out of town. They chased me up to the castle of Aberdeen with torches. Just like the Frankenstein monster. And I got away in a hot air balloon. And I came here to Seattle.
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I won't eat anything green.
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And Seattle isn't really crazy anymore. It's a big dot-com city.
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A lot of people are promoting records that are just throw-it-agains t-the-wall-see- if-it-sticks meaningless bullshit. Everybody has the responsibility to do the right thing and promote artists that mean something.
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And later, if I ever felt that I was getting swept away by the craziness of being in a band, well, I'd go back to Virginia.
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The thrill and embarrassment of becoming international pop stars was too much, so we opened our mouths and put our foot in sometimes.
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I can’t comment on Soundgarden because I know them personally and I really like them a lot, but I have strong feelings towards Pearl Jam and Alice in Chains and bands like that. They’re obviously just corporate puppets that are just trying to jump on the alternative bandwagon - and we are being lumped into that category.
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I called Leo Fender, the dead guy, a dork. Now I'll never get an endorsement.
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There's nothing better than having a bottle of beer in your hand in the waves.
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At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.