Radiohead Quotes
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It's kind of not about the quality of the art, as much as this is what I love doing and I'd have a worse time doing anything else. That's kind of as far as I think in terms of philosophy.
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'It annoys me how pretty my voice is...that sounds incredibly immodest, but it annoys me how polite it can sound when perhaps what I'm singing is deeply acidic.' - source
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Sometimes the nicest thing to do with a guitar is just look at it.
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In 1994 we taped everything on video, in 1995 we bought Powerbooks. Our next step on the techno-superhighway is 'the polaroid'. If we go on like this, we'll be painting up our tourbus with charcoal next year.
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The thing about rock is that people are not just interested in bands because of where they want to go. It's where they want to escape from that matters.
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Everyone who's serious about what they're doing must be in constant motion forward.
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I don't listen to much modern composition.
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When it comes to orchestral music, whenever I see a concert with orchestra and strings, and I arrive and there are speakers up, my heart always sinks a little bit, and I think, 'It's going to be down to some sound guy's ideas.' Contact microphones on the violins. I'm a purist, I suppose.
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There's nothing like sitting in a completely quiet room, and then the strings start up. It's like when you go to the cinema - the first two or three minutes of any film are amazing. Because the screen is so big. The scale. Directors can pretty much do anything for those first few minutes.
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One of the books we read a few years ago that had a big effect on us was Repeated Takes by Michael Chanan.
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I suppose, counting back, if the Beatles had been influenced by music in the same length of time ago - you'd have to put that into better English for me, thank you - they would have been like a banjo orchestra. They would have been doing show tunes.
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It's a full on job just looking for human social responsibility.
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I think artists can influence only through making music that challenges people, excites them and flips them out. Music that repeats what you know in ever-decreasing derivation, that's unchallenging and unstimulating, deadens our minds, our imagination and our ability to see beyond the hell we find ourselves in.
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When I saw the Penderecki concert in London, in '92 or '93, I thought there were speakers in the room. It was just strings. But I could hear these kind of buzzings and rumblings, and I was like, 'Where is this all coming from?' And that was just better, to my ears. Odder, stranger, more magical.
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I'm always happiest trying new instruments - and honestly enjoy playing, say, the glockenspiel with Radiohead as much as I do the guitar. I think regular touring has forced me to play the guitar more than anything else, which is why I'm probably most confident playing that. And whist I'd be lost if I couldn't play it too, I dislike the totemic worship of the thing... magazines, collectors, and so on. I enjoy struggling with instruments I can't really play.
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'It's basically about having to make a decision whether to do nothing or try to engage with it in some way, knowing that it's flawed. It's convenient to project that back on to someone personally and say they're a hypocrite. It's a lot easier to do that than actually do anything else. And yeah, that stresses me out, because I am a hypocrite. As we all are.'
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I remember when I was in my late teens just getting rid of lots of records, realizing I only ever listened to them when I was reading, or watching TV, or doing something else.
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You should approach technological things in a nostalgic way.
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'So far, this is disco.' - Live performance of Everything in Its Right Place (YouTube video)
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I've seen 13, 14-year-olds opening CDs as though they're records from the 1920s, going 'Look at this - there's a little book!'... That makes me think the format has probably had its day.
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I was just very conscious that I could either bore people by having the music be similar for too long, or I could just wear them out and bore them in a different way by having it changing too much every minute or two minutes. So, there was that kind of balance to get right.
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We stuck the record head so it kept on recording over and over on top of itself and played keyboard notes into it to create this ghost repetition melody.
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If I think about music in the future, I imagine it often as not involving electricity, in some dystopian, post-apocalyptic future. And that's what I get from Penderecki: people making music by taking these instruments out of boxes and playing them. That's a very bizarre and modern thing.
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I don't mind when people are telling me about their 1971 Firebird, but it's the same thing as people telling me about their car or something. It's fine if you have an interest. By talking with me, though, you could be interviewing a novelist about guitars. It's the same thing, except I don't write that well either.